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What Works Clearinghouse Rating
Peer reviewedColgrass, Michael – Music Educators Journal, 2004
In this article, a professional composer shares his experiences writing music for a middle school band. Michael Colgrass was commissioned, along with fourteen other composers, by the American Composers Forum BandQuest project to write a short piece for eighth-grade band. They were asked to pay a couple of visits to a nearby school to work with…
Descriptors: Teaching Methods, Grade 8, Secondary School Teachers, Musicians
Dogani, Konstantina – Music Education Research, 2004
This article is taken from doctoral research which sought to discover the nature of teachers' pedagogy in the primary school classroom by looking at their understanding of the teaching of composing, their approach to lesson design and organisation, and the way these are reflected in their practice. Specific examples of six case studies involving…
Descriptors: Teaching Methods, Elementary Education, Foreign Countries, Music Education
Lena, Jennifer C. – Social Forces, 2006
There is a link between the context of production and the content of rap music singles. This research finds that when independent labels owned most of the charted singles, lyrics emphasized features of the local environment and hostility to corporate music production and values. In contrast, the major-label dominated market featured lyrics…
Descriptors: Social Environment, Music, Merchandise Information, Production Techniques
Peer reviewedMyers, David E. – Arts Education Policy Review, 2005
Music education programs stand to gain important benefits from the collaborative work of performing musicians with specialist music teachers and classroom teachers. To be effective, performers and composers must have their knowledge and skills for education cultivated within the context of their essential identities as musicians. Given…
Descriptors: Music Education, Children, Musicians, Musical Composition
Nilsson, Bo; Folkestad, Goran – Music Education Research, 2005
Today's children live in a world where music in all its different forms has become a significant factor in their everyday life. This article describes a 2-year empirical study of nine 8-year-old Swedish children creating music with synthesiser and computer software. The aim of the study is to describe and clarify the creative processes of…
Descriptors: Computer Software, Music, Student Attitudes, Foreign Countries
Moormann, Peter Paul – Journal of Creative Behavior, 2006
Fifty-eight figure skating trainers from fifteen different countries acted as volunteers in this study on choreography styles. The styles were based on reports of artistic-creative strategies in composing music, drawing, writing poems or novels, and in making dances. The prevalence of the Mozartian (at the onset the choreographer already has a…
Descriptors: Music, Dance, Foreign Countries, Athletics
Wakefield, Sarah R. – Teaching English in the Two-Year College, 2006
One way to teach the research paper is by first discussing sampling, the musical practice of using other artists' work. By studying the lyrics of Sean "P. Diddy" Combs, a widely known hip-hop sampler, students gain an understanding of quoting, paraphrasing, and summarizing sources.
Descriptors: Research Skills, Copyrights, Music, Community Colleges
Marcel, Linda A. – Forum on Public Policy Online, 2007
The paper considers the innovations and impacts of technology on the fine arts. It explores the effect of technology on how music is taught, studied, performed and created. There is a brief historical account of the recent advances in personal computers, MIDI, synthesizers and music software. The standard of technology competency, set by the…
Descriptors: Music, Music Education, Higher Education, Influence of Technology
Custodero, Lori A. – British Journal of Music Education, 2007
This study explores the musical content and human processes of improvisations of children and adults using the phenomenological lenses of time, space and responsivity. Paired improvisational performances of two late-career adult composers and two 7-year-old children were analysed considering a lifespan-related perspective involving the origins of…
Descriptors: Phenomenology, Expertise, Creative Activities, Content Analysis
Mixon, Kevin – Rowman & Littlefield Education, 2007
This book provides both new and experienced music educators with much-needed advice drawn from credible research and established approaches, but also includes practical application for the incredible variety of music classrooms that teachers face today. Kevin Mixon adapts research-based theories to fit typical situations that are not always ideal.…
Descriptors: Teaching Methods, Creative Activities, Musical Instruments, Music Teachers
Boulet, Marie-Michele – 1992
An intelligent advisor system is an adaptive system aimed at intervening when the user of any application software performs complex transfer tasks. An important aspect that needs to be taken into account when designing and developing an advisor system is the strategies and tactics used by the advisor to provide the user with an environment…
Descriptors: Case Studies, Computer Software Development, Databases, Expert Systems
Biocca, Frank – 1985
From the close of the nineteenth century and into the early part of the twentieth century, three aural technologies--the telephone, the phonograph, and the radio--were rapidly disseminated throughout the United States. These technologies brought to the population more aural information than it had ever experienced and created a new environment of…
Descriptors: Audiodisks, Auditory Perception, Communication Research, Intellectual History
Thorin Suzanne E., Comp.; Emanuel, Shirley Piper – 1987
This directory, in its revised and updated form, documents the existence of 46 braille music collections in 27 countries. The purpose of the directory is not to list specific braille music editions but to establish preliminary data that will facilitate the future compilation of an international catalog. Entries in the directory are arranged…
Descriptors: Blindness, Braille, Information Centers, Information Services
Gooch, Sherwin – 1978
The original PLATO music concept was to replace the human performer in the feedback process, wherein the composer specifies an action and monitors the outcome, with a computer-controlled device. The first device of this type is known as the Gooch Synthetic Woodwind (GSW), which attempted to provide some of the features needed in an interactive,…
Descriptors: Computer Assisted Instruction, Computer Programs, Instructional Design, Instructional Development
Lillehaug, Leland A. – 1969
To verify the existence of a communication gap between the contemporary music composer and his general listening audience and to assess the scope and causes of the gap, interviews were conducted with a cross-section of composers, performers, conductors, educators, and listeners throughout the nation. During the 9-month study, (September 1968-June…
Descriptors: Audiences, Communication Problems, Concerts, Interviews

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