Although creativity courses in the academic community often are not taken seriously, they can and should be a transformational journey for the student, involving exciting but sometimes painful unlearning of old structures and development of new conceptual systems. (DB)

The author cites experiences in teaching mathematics to gifted students, and offers suggestions for serving them through seminars, special classes, use of library resources, and activities to promote creative work in mathematics. (CL)

The article describes the life and work of E. Paul Torrance, long associated with gifted education. His career is traced and his beliefs in the importance of identifying and developing creativity are discussed. (CL)

Classroom teachers can provide more creative opportunities in the classroom by providing an atmosphere of psychological safety and by presenting material that encourages divergent thinking. Examples of the bull's eye strategy, brainstorming, and checklisting activities to stimulate imaginative ideas are offered. (CL)

The article describes the Creative Inventory, a means of finding out the conditions under which creative potential is liberated. Exercises to discover these conditions are described and it is suggested that they can be beneficial for older children. (Author/CL)

The article reviews the interplay of cognitive and creative behavior in adolescence. Three major issues are discussed: the evolution of creativity in adolescence; important personality traits of gifted and creative young people; and the actual creative behavior of gifted adolescents. (Author)

The study involving 103 fifth graders supported previous findings linking classroom climate with students' creative functioning and indicated that both the Productive Thinking Program (PTP) and activities based on the Creative Problem Solving program were successful in enhancing students' creative problem solving. Teachers preferred the more…

Acknowledging that toddlers and 2-year-olds explore art as a learning experience or an experiment and are more interested in "doing" art than in making a finished product, this guide for caregivers compiles 75 art experiences, with over 100 variations, and tips for making the activities run smoothly. Following an introduction that includes…

First itemizing the barriers to creative thinking, the author proceeds to suggest brainstorming, morphology, and a method of alternating circles as procedures to encourage creativity. Courses in problem-solving have proven successful. (AG)

Paper presented at 18th Annual Meeting of the National Association for Gifted Children, Chicago, Illinois, May 3-5, 1971. (CB)

Of 37 13- to 17-year-old students participating in a creative theater class, the ones with more experience scored significantly higher on creativity tests (Torrance Tests of Creative Thinking and Something About Myself Checklist) than their less experienced counterparts. (CL)

Unique experiences of transcendental levels of awareness are examined relative to theories of Maharishi Mahesh Yogi, Plato, and C. Jung; autobiographical reports by geniuses of their creative processes; correlations measured between transcendental experiences, physiological functioning creative ability; and the effect of these experiences on…

Teaching gifted students to think creatively may follow the AUTA model: awareness of creativity, understanding of creativity, techniques of creativity, and finally, actualization--development of creative talents. (CL)

Provides a definition of creative thinking and describes the objectives, design, and outcomes of creative thinking workshops. Gives examples of workshop exercises intended to encourage self-confidence, curiosity, and risk taking, which in turn influence the ability to tap one's potential for creativity. (SK)