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Cho, Yang Seok; Bae, Gi Yeul; Proctor, Robert W. – Journal of Experimental Psychology: Human Perception and Performance, 2012
The present study tested whether coding of tone pitch relative to a referent contributes to the correspondence effect between the pitch height of an auditory stimulus and the location of a lateralized response. When left-right responses are mapped to high or low pitch tones, performance is better with the high-right/low-left mapping than with the…
Descriptors: Musicians, Cognitive Processes, Auditory Perception, Auditory Stimuli
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Heimonen, Marja – Action, Criticism, and Theory for Music Education, 2012
Music educators have the potential to educate student musicians to be ethically involved citizens of the world. Educators can promote worldwide understanding by nurturing sensitivity and fostering sympathy within and between human beings and thus help students become agents in the creation of alternative globalizations. From an ethical…
Descriptors: Music Education, Caring, Ethics, Music
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Gunckel, Colin – Aztlan: A Journal of Chicano Studies, 2012
In 2008 the author co-curated (with Pilar Tompkins Rivas) the art exhibition "Vexing: Female Voices from East LA Punk" at the Claremont Museum of Art in Claremont, California. Part of his motivation, as a scholar, was to generate discourse about the punk scene in East Los Angeles from 1979 to 1984 and to stimulate further research in…
Descriptors: Music, Musicians, Printed Materials, Exhibits
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Dobrow, Shoshana R.; Tosti-Kharas, Jennifer – Journal of Career Assessment, 2012
This study explores calling in the context of career decision making. Specifically, the authors examine receptivity to advice that discourages individuals from pursuing a professional path in their calling's domain. The authors hypothesize that people with a strong calling will be more likely to ignore negative career advice. In Study 1, a…
Descriptors: Career Choice, Feedback (Response), Longitudinal Studies, Musicians
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Wilson, Graeme B.; MacDonald, Raymond A. R. – Psychology of Music, 2012
Group musical improvisation, as a spontaneous process of collaborative creativity effected through non-verbal social interaction, is a unique psychological phenomenon and universal capacity. Existing studies focus on improvisation among professional jazz musicians, often using qualitative methods. However, improvisation transcends genres and…
Descriptors: Music, Creative Activities, Figurative Language, Musicians
Musco, Ann Marie – Teaching Music, 2012
Teachers might ask students to hum the tuning pitch, chant rhythms and scat articulations, or sing melodies from the repertoire to better understand musical inflection and nuance. In addition, singing can develop skills in music reading and audiation. If students sing out loud before playing a line of music, they are able to prehear the pitches…
Descriptors: Learning Theories, Music Education, Music Reading, Musicians
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Thorpe, Vicki – Music Education Research, 2012
Ensembles such as rock and pop bands are places of exciting creativity and intense, enjoyable music making for young people. A recent review of New Zealand's secondary school qualification, the National Certificates of Educational Achievement (NCEA), has resulted in a new composition assessment of individuals' achievement in groups. An analysis of…
Descriptors: Qualifications, Foreign Countries, Musical Composition, Musicians
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Hargreaves, Wendy – International Journal of Music Education, 2012
Idea generation is an integral component of jazz improvising. This article merges theoretical origins and practical experiences through the examination of two seminal works from Pressing and Sudnow. A comparative analysis yields three common sources with distinct characteristics. The greater body of jazz literature supports this potential link…
Descriptors: Music, Creative Activities, Comparative Analysis, Educational Practices
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Shansky, Carol – Research and Issues in Music Education, 2012
Participation in community music ensembles is an important and popular form of music education--with members of ensembles that perform within religious services having the opportunity of experiencing a possible extra dimension of a spiritual experience. Thus the intent of this study was to survey adult choir and band members at Temple Emeth in…
Descriptors: Music Education, Music, Singing, Clergy
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Valle, Christopher; Andrade, Heidi; Palma, Maria; Hefferen, Joanna – Music Educators Journal, 2016
Feedback is crucial to students' growth as musicians. Fortunately, the teacher is not the sole source of feedback in the music classroom. Under the right conditions, students can provide actionable feedback to themselves and each other. This article showcases the work of three elementary music specialists who have innovatively incorporated…
Descriptors: Music, Music Education, Self Evaluation (Individuals), Feedback (Response)
Connell, Emma; Gozali-Lee, Edith – Wilder Research, 2016
This report presents findings about the Afterschool Intensive Strings Program in 2015-16, which provides instruction to students with limited access to music education. The evaluation examines how participation in the program affects students' academic achievement, non-academic skills, and musical skills and knowledge.
Descriptors: Musical Instruments, After School Programs, Program Effectiveness, Music Education
Garces-Bacsal, Rhoda Myra – Gifted Child Quarterly, 2014
The narrative of an eminent Filipino singer-songwriter, Noel Cabangon, provides a description of an alternative pathway to musical talent development. Most theories on talent development assume that a young artist would have access to the resources required for one to advance in the domain. The results of multiple in-depth interviews suggested…
Descriptors: Talent Development, Music Education, Interviews, Personal Narratives
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Tobias, Evan S. – Action, Criticism, and Theory for Music Education, 2014
Excluding Hip Hop culture and rap music from music education misses opportunities for addressing key aspects of popular culture, society, and students' lives. This article addresses intersections of Hip Hop, gender, and music education to forward potential Hip Hop praxis. After tracing related scholarship, I discuss and problematize…
Descriptors: Music Education, Popular Culture, Cultural Influences, Gender Issues
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Elkins, Jennifer; Miller, Shari; Briggs, Harold; Skinner, Sara – Journal of Teaching in Social Work, 2015
This article describes a collaborative and emergent approach utilizing Tupac Shakur's "Brenda's Got a Baby" to leverage theory education. This song/video uses a fictionalized account of a pregnant 12-year-old African American girl to chronicle the ecological realities of life in the inner city (e.g., teen pregnancy, drug addiction and…
Descriptors: Teaching Methods, Grounded Theory, Social Work, Educational Theories
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Barry, Nancy; Henry, Daniel – Contributions to Music Education, 2015
This study aimed to gain an in-depth perspective through examining how the conducting pedagogy of three selected exemplary high school and college instrumental music conductors function within the context of an actual rehearsal. A typical rehearsal was video recorded, followed by a "think-aloud" session in which the conductor viewed the…
Descriptors: Musicians, Music, Music Education, Administrators
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