This is the fourth in a series of studies whose purpose has been to develop a theoretical model of selected extramusical variables' ability to explain solo and small-ensemble festival ratings. Authors of the second and third of these (Bergee & McWhirter, 2005; Bergee & Westfall, 2005) used logistic regression as the basis for their…

We investigate the careers of 908 alumni of an international UK conservatoire, including 211 pianists. During the last five years, 82% of alumni worked only in music, and 7% only outside music. Women performed less and taught more. The tendency for pianists to perform less, and teach more, than other alumni has diminished. However, female pianists…

Community dynamics play a major role in determining the duties of music educators. What music educators do each day can vary greatly depending on their location. A middle school band director's job description in suburban New York is likely to look nothing like that of a music educator in rural Iowa. There is a substantial lack of literature to…

Music teachers are used to finding creative methods for accomplishing large tasks in spite of overwhelming obstacles, such as an insufficient budget and limited time. Yet, when it comes to incorporating technology into the classroom, many allow these obstacles to get the best of them. Finding ways to use computers in the classroom with limited…

This study, based on recent field research, explores Latino music culture in Toledo, Ohio, and presents strategies for incorporating the music into the classroom. In the ethnographic project, three professors--music educator, ethnomusicologist, folklorist--interviewed many musicians, bands and community leaders. Musicians were regenerating…

In this article, the authors review "The Music, Movement, and Learning Connection," written by early childhood educator and musician Hap Palmer in the September 2001 issue of Young Children, which is of significant interest to parents and teachers. As trained musicians, the authors agree with Palmer's message about music's positive effect on…

The fundamental goal of music-literacy instruction is to connect sound to symbol. An essential aspect of this process is audiation. Literate musicians make accurate matches between what they audiate and what they visualize. They establish this link by interacting with the symbolic language of music in both directions: translating notation into…

Regardless of the extremely subtle acoustic changes that are perceptible within almost all perception research studies, it is the total overall effect that generally occupies each individual listener. A long line of research indicates that many subtle "music changes" are often not perceived accurately and are actually mistakenly identified.…

The purpose of this study was to examine the impact that education level and primary performance instrument have on the evaluation of music performances. Participants (N = 423) in the study were middle school (n = 187), high school (n = 113), and college (n = 123) musicians who performed on either a brass (n = 115) or a nonbrass (n = 301)…

Background: The Western classical training of many secondary music specialist teachers may be inappropriate for the demands of the contemporary secondary school classroom, leading to a conflict between their self-concepts as "musicians" and as "teachers". Aims: To undertake a short-term longitudinal comparison of the developing identities and the…

This article describes the Composer-in-the-Schools Project, which successfully launched the Charlotte Civic Orchestra's Education and Outreach Program in a meaningful way by providing a unique opportunity for many young middle school orchestra students. Students who participated in the project, their parents, school administrators, and Charlotte…

The author, another longtime supporter of the school jazz movement, examined the changes in educational literature for the jazz band. (Editor/RK)

Article investigated perceptual-motor areas, as they are related to music activities. (RK)

The attitudes and experiences of 13 music students entering a conservatoire were tracked before their entry and throughout their first term at college. Aspirations and apprehensions towards the musical, academic and social aspects of college life were collected in addition to career aims, and the data analysed qualitatively to produce emergent…

This article examines the special relationship between students and their instrumental teachers in UK conservatoires. Conservatoires in the UK provide a higher education for aspiring performers and composers and the students' choice of conservatoire will often be guided by their desire to study with a particular "professor" who will…