Evaluation of a 12-year-old autistic musical savant revealed that the boy had idiosyncratic levels of cognitive functioning and perfect pitch recognition. His ability to recall and perform musical pieces after listening to a tape recording were found to be exceptional, but dependent upon his familiarity with musical structure and therefore…

Discusses the spirituality and African roots of African-American culture. Defines Africanisms as elements of African culture that permeate both religious and secular African-American life. Defines the phenomenon identified as "soul" among African Americans as the contemporary manifestation of Africanisms. Suggests that soul music is…

Examines varied studies on teamwork in and outside of education, drawing comparisons with collaborative partnerships among musicians. These studies highlight fundamentals of collaboration and challenge teamwork's potential to engender synergy as a springboard for managerial action. Proposes a reinterpretation of synergy applied to school teamwork…

This essay considers the way and manner in which a musician and music educator approaches his or her work. It is suggested that anthropomorphic conceptions of music have endured in music education practice in the West. It is proposed that our view of the "processes" of music making, music reception and music learning can be challenged and…

In this article, the author argues that in many ways, developing instrumental practice techniques is an experiment with a sample of one. Musicians must learn which methods work best for them as individuals. This starts in the earliest stages of learning a musical instrument. Teachers offer suggestions: students discover how others are practicing,…

Musicians practice to build endurance, flexibility, and dexterity. They practice to maintain good performance, to sight-read better, to memorize, and simply, to enjoy music making. There are other motivations for practice, but one, more than others, is a catalyst for consequential change in musical development--practicing to solve performance…

In this article, the author asks music educators to imagine their band students being able to identify the melody of a piece as it jumps among sections after playing it just a few times. How about recognizing harmonic modulation, or applying dynamic contrast through understanding of compositional form? While these elements may seem obvious to…

Why do musicians specialize in the specific instruments that they do? Research has shown effects of such factors as the perceived masculinity/femininity of instruments and musician's personality but there are little background data on other factors. The present study had two major aims. The first aim was to gather some useful background data on…

One section of this "scrapbook" section describes Pythagoras' belief in the connections between music and mathematics -- that everything in the universe was a series of harmonies and regulated by music. Another section explains why Phythagoras felt it important for women to be encouraged to learn mathematics. At least 28 women were involved in his…

The purpose of this study was to determine how judgments of solo performances recorded at an international piano competition might be affected by excerpt duration (20 versus 60 seconds) and tempo (slow versus fast). Musicians rated performances on six test items. Results indicated that piano majors rated slow excerpts higher than they rated fast…

How do musicians performing together coordinate their actions to achieve a unified performance? We observed a singer (the first author) and pianist/conductor (the third author) as they prepared for two performances of Ricercar 1 from Stravinsky's Cantata, one for voice and piano and one for voice and ensemble. This article reports a content…

David Brackett's notion of musical codes, discussed in his book "Interpreting popular music" (2000), offers tertiary music students an opportunity to think about interpretation and performing, about what is conveyed through performing, and connections with extra-musical factors. This article discusses comments made by a class of tertiary…

This article provides a biographical sketch of the Russian composer and educator D. B. Kabalevsky, a discussion of his philosophy of music and education, and an overview of his music for children. Kabalevsky's philosophy of education and music encompassed a wide range of ideas that were developed over his life-time. Central to his philosophy is…

The purpose of this study was to describe the current practices (band setup, musical instruction, member interactions, and challenges) of adult beginning instruction in ensemble settings. Subjects in the current study were 35 adult band/orchestra directors from 19 US states and one province. The responding directors were 24 men and 11 women…

The idea of praxis, and thus the idea of music as praxis, is not widely known in the fields of music and music education. Nonetheless, musicians and music teachers typically take for granted as sacrosanct the noble sounding, metaphysical, even spiritual profundity of music hypothesized by mainstream aesthetic philosophies. Thus accounts of music…