Describes a two-part approach to teaching the student research paper that encourages students to make a science of developing research gathering techniques and an art of blending the gathered materials with a perspective that will make the paper more than just a summary of facts. The approach uses biography as a model for research. (HTH)

Students often attain memorable experiences from cadaver dissections through reflective writing. For many, facing a dissection for the first time elicits a wide range of emotions. These may include thoughts of their own mortality to the sheer admiration of knowing that someone cared enough to help others learn about the body, even in death. Poems…

While formats and conventions of scientific and technical writing vary from field to field, the transcendent requirement is precision, so that the work can be understood and, if necessary, reproduced. Science teachers undoubtedly tell students about the importance of precision in collecting data and analyzing results; what is less commonly…

This study investigates whether L2 instruction on the Spanish aspectual system containing a recognition task of the learners' L1 (Dutch) aspectual system helps the learner to understand and interiorise the L2 system. Second year Dutch university students (N = 20) took part in the experiment. In weekly groups of two to four, the students received…

The purpose of this study was to investigate how Korean fourth graders' performance on reading comprehension and written summarization changes as a function of instruction in summarization across test times. Seventy five Korean fourth graders from three classes were randomly assigned to the collaborative summarization, direct instruction, and…

The study of literary texts and classroom exercises in creative writing and literary criticism are discussed. (Text is in French.) (PMP)

Illustrates how writing exercises involving epitaphs may be used to teach brevity, restraint, and lucidity. (DD)

Advocates teaching both classical argumentation and Rogerian rhetoric back-to-back. Advocates assignments using both to highlight the role of audience, the importance of arrangement, the value of tone, the nature of the writer's "ethics," and the use of evidence. (MS)

Argues the necessity of bridging the gap between the personal writing traditionally assigned in basic writing courses and the academic writing which students are expected to produce in their other courses. Offers manageable strategies that enable students to articulate arguments based on sources. (MS)

Recounts the diverse reactions elicited by a college writing teacher when he asked his students to compose using his copy of Keats' life-mask as a resource. Discusses how the life-mask acted as a stimulus, turning in-class writing into an exciting and useful composition experience. (NKA)

The objectives of teaching composition are examined and the need for students to participate actively in the learning process is emphasized. (MM)