Discusses the pedagogical consequences that follow from distinguishing invention from prewriting. Contrasts the importance of stasis in invention, and the resulting importance of writing with an audience in mind, with prewriting techniques that merely direct students toward exploring a topic without reference to an audience. (RL)

Argues for a theoretical distinction between the act of composing and the act of transcribing. Examines early writing sessions and note-making patterns of writers working with traditional and computer writing tools. Finds individual writers have distinctly different strategies when writing in different technological contexts. (KEH)

Semantic mapping is offered as a prewriting strategy to help students (of all ages) with hearing impairments organize and structure their writing. Semantic mapping can offer these students a visual access to the writing process. (DB)

This article looks at the use of art in developing students' prewriting ability. The activities, strategies, and objects used provide students with the background knowledge, motivation, vocabulary, structure, and fluency they need to compose and rehearse written pieces. The article describes research conducted on the effects of combining art with…

Writers who double back to alter diction and syntax change their understanding of what it is they are saying, thereby clarifying their understanding and enhancing the discovery of new ideas. Revision, when taken this way, is often a form of invention. The difficulty in teaching revision is that writing has mistakenly been regarded as a linear…

Recommends adding formal training in note taking to the high school English curriculum to help students master the skills of abstracting major ideas from texts, summarizing facts, and paraphrasing materials. Suggests an approach to note taking. (RBW)

Presents a professional writer and writing teacher's ideas on writing and the writing process. (JL)

Argues that, in understanding creativity and the process of composing, it is helpful to think in terms of the metaphysical concept and while polar opposites appear to be contradictory, they are part of the same whole. Suggests some polarities that help in understanding the creative process in writing. (TJ)

Describes the variety of literacies demonstrated among a group of "thru-hikers" walking the length of the Appalachian Trail. Explains ethnographic field notes, archival data, and interviews showed the presence of multiliteracies and the use of "ecological literacy," the ability to interpret the natural surroundings. Provides suggestions for…

Adapts a classical concept to the composition classroom in a prewriting exercise which offers a wide range of benefits. (RS)

Offers seven planning and prewriting tips for the writing of award-winning proposals. (SR)

Interviews with four prolific business education researchers identified facets of scholarly productivity. They adhered to regular writing routines, wrote at home instead of the office, and used prewriting strategies such as extensive reading and outlining. (Contains 25 references.) (SK)

In an examination of two alternative hypotheses about the role played by pauses in the planning of writing, this paper focuses on the long, "pregnant" pause. The first section of the paper examines the two alternative hypotheses about planning, one based on the theoretical perspective of linguistics and the other on the assumptions of…

Discusses the prewriting process in terms of forces that affect prewriting, prewriting as rehearsal, and eight signals that tell writers that a piece of writing is near. (DD)

Describes method in which students write a draft requiring some writing skill before learning about that skill. Concludes that predrafting (1) enforces first-drafting; (2) shows students their natural writing abilities; (3) emphasizes discovery of substance first, rules and form second; (4) promotes an active student role; (5) arranges learning in…