Many UK universities now recognise that artistic practice can constitute a form of research in its own right; increasingly, practising artists are sponsored or employed to work creatively within the academy, whilst the regulatory frameworks of research degree programmes have evolved to enable practical doctoral submissions. These developments have…

In this age of technological change and innovation which has had a major impact upon schools, together with the continuing demands of an assessment driven curriculum, are schools providing opportunities which will develop and enhance children's creative, aesthetic and spiritual experiences? It is the contention of this paper that learning through…

Thomas A. Edison said, "To invent, you need a good imagination and a pile of junk." Well, the finalists in this year's Craftsman/NSTA Young Inventors Award Program had no shortage of imagination, but chose more useful items with which to work. With the goal to invent or modify a tool, students across the country were searching homes, yards, and…

This article challenges the traditional model for teaching computation in the primary grades. It describes a model in which students are encouraged to invent and use alternative computation procedures.

The author of this article takes the reader on an imaginative journey on which he has invented a device he calls, the wondermeter. He then asks readers to imagine that the meter is attached to the minds of every child in the classroom. As it turns out, every child in the classroom has 3 bold ideas or original insights each day. Assuming that there…

The Efficacy Scale for Creative Productivity (ESCreP) was developed to measure students' convictions that they could be creative producers. Self-efficacy, an individual's estimation of ability to perform a behavior, is based upon performance accomplishments, vicarious experiences, verbal persuasion, and emotional or physiological arousal. Three…

This report reviews major theoretical and empirical studies concerning the process of creativity and the skills involved in creating art. Part I describes process studies with adult subjects engaged in activities such as poetry writing, editing, and critiquing a poem. Ten amateur and ten professional poets were subjects. These studies analyzed the…

THIRTY-SIX ARTICLES BY DIFFERENT AUTHORS PRESENT WAYS IN WHICH THE RESULTS OF CREATIVITY RESEARCH MAY BE UTILIZED IN THE SCHOOL, THE CLASSROOM, AND THE COUNSELING OFFICE. AFTER AN INTRODUCTION, FIVE ARTICLES TREAT GENERAL CONSIDERATIONS--THE CAUSES AND CONDITIONS OF CREATIVITY, AND THE EDUCATION AND UNDERSTANDING OF CREATIVE AND GIFTED CHILDREN.…

The conference proceedings include the following papers: (1) Digital Storytelling: An Alternative Instructional Approach (Ruben R. Puentedura); (2) Digital Storytelling: Old Ways, New Tools (Laurie Burruss); (3) The Adding Machine: Remote Digital Storytelling and Performance (George Brown and James Ferolo); (4) Building and Supporting a…

From an ethnographic and interaction analytical approach this paper examines how polylingual languaging is used by a group of young male Taekwondo fighters to construct an integrated streetwise and "schoolwise" persona as well as negotiate regional identities. The data discussed were collected in a Taekwondo club in a multicultural area…

This article shares a bevy of ways to make parent meetings successful--in a meaningful way. It presents some guidelines to keep in mind when planning parent meetings: (1) survey parents on what they want to learn about or discuss regarding childrearing or family life; (2) include parents in planning meetings; (3) find motivating ways to get…

Within the discourse of the New Education Fellowship (NEF) in Australia in the mid-twentieth century, active engagement in creative recreation and discussion of social and political issues was highly valued. Members were exhorted to traverse personal boundaries by participating in practical and creative arts. In this discourse, NEF Creative Arts…

Previous research on the relationship between age and creativity has shown that career age, rather than chronological age, correlates best with longitudinal changes in creative productivity. Recently, Dietrich (2004) proposed a new theoretical framework that integrates cognitive neuroscience with the findings of creativity research. By identifying…

This paper is based on the experience of working alongside new practitioners with the role of learning mentor as they engage in a national training programme. It considers the issues raised by evaluation at a range of times within and beyond the training. The main factors that emerge from the data focus on the role of inspiration, creativity,…

This article offers an analysis of recent development in primary education, in particular the prevailing climate of performativity and new initiatives on creativity. Since 1989 education has been dominated by the performativity discourse accompanied by the obsession with evidence: of children's learning; of teachers' performance; and of student…