Described the uses for papier-mache as creative material with minimal cost from which children can produce worthy products. (Author/RK)

Author argued that philosophers are experts, that the moral sphere is central to the concern of the philosopher of education, that in one sense evaluation is his business, and that ideally philosphers ought to issue practical directives in education. (Author/RK)

Seventh-, eighth-, and ninth-grade special needs students in a remedial reading class were asked to write as many words as possible in six minutes. Students compete with themselves with no penalties for spelling or grammar errors. The activity is designed to make writing a natural and pleasurable activity. (CL)

Effects of creativity instruction on creative writing of 49 learning disabled intermediate students were examined. Analysis of Torrance Tests of Creative Thinking scores revealed that Ss in the experimental group made significantly greater scores than a control group on the creative thinking variables on the verbal (written expression) subtests.…

Provided are a review of leadership concepts; the 20-suggestion list by E. Torrance for teachers to facilitate student learning; and a proposed creative problem solving (CPS) model consisting of the following components: facilitator, client, and task (or CPS session). (MC)

Continuing arguable issues on education of the gifted and talented are semantics, proportion of gifted, state of "giftedness," counterproductive jargon, politicization, philosophy, morality, and creativity. The field has achieved tolerant attitudes toward the gifted, greater understanding of identification, experience with materials and…

Two dimensions of Carl Jung's psychological system (preference for information and choice of decision making processes) are applied to creativity research. Examples of four personality types (sensing- thinking, sensing-feeling, intuition-feeling, and intuition-thinking) are represented by prominent social scientists. A systems model of science is…

Applies psychologist James Hillman's idea of soul-making to literary studies. Uses the works of Melville to discuss the terms (1) depth, (2) image, and (3) archetype as they relate to the concept of soul-making. (MM)

The author argues for an expanded notion of intellectual giftedness which would take into account a person's ability to deal with nonentrenched (unusual or strange) tasks and concepts. This conception of intelligence is seen to be closer to that of creativity. Measurement problems are cited. (CL)

A continuing problem in the study of creativity is the identification of valid criteria for creativity. The model proposes the criteria for the creative product and person. The model is of value in discussions of the extent to which children are or can be creative. (Author/TLJ)

The author discusses his opposition to gifted curriculum developed largely by teachers and suggests that real problems should be the focus of gifted programing. Two curriculum models are described according to four variables: the roles of students, knowledge, creativity, and teachers. (CL)

Outlines the differences between left-brain and right-brain functioning and between left-brain and right-brain dominant individuals, and concludes that creativity uses both halves of the brain. Discusses how both students and curriculum can become more "whole-brained." (Author/JM)

Presents longitudinal data on 92 creative young adults in grades 3 through 6 on Sounds and Images, a test of imagery, with four criteria of later creativity: (1) number of post-high school creative achievements, (2) number of creative life-style achievements, (3) quality of creative achievements, and (4) creativeness of career image. (CL)

Discusses within a historical context First Amendment freedoms, censorship, and the rights of Americans to visual and literary creativity. (HTH)