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Elliott, Portia C. – Journal of Creative Behavior, 1986
It is argued that creative behavior is a product of the uniquely human capacity to will and requires activation of the prefrontal lobe "cells of will" to facilitate the harmonious functioning of all parts of the brain. (DB)
Descriptors: Brain Hemisphere Functions, Creative Thinking, Creativity, Individual Power
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Miller, Louallen F. – Journal of Creative Behavior, 1986
Although creativity courses in the academic community often are not taken seriously, they can and should be a transformational journey for the student, involving exciting but sometimes painful unlearning of old structures and development of new conceptual systems. (DB)
Descriptors: Cognitive Development, Course Content, Creative Development, Creativity
Schierman, Mildred – Gifted Education International, 1986
The article describes the life and work of E. Paul Torrance, long associated with gifted education. His career is traced and his beliefs in the importance of identifying and developing creativity are discussed. (CL)
Descriptors: Creative Development, Creativity, Elementary Secondary Education, Gifted
Adamson, Carolee – Pointer, 1985
Classroom teachers can provide more creative opportunities in the classroom by providing an atmosphere of psychological safety and by presenting material that encourages divergent thinking. Examples of the bull's eye strategy, brainstorming, and checklisting activities to stimulate imaginative ideas are offered. (CL)
Descriptors: Class Activities, Classroom Techniques, Creative Development, Creativity
Currant, Nanda – Academic Therapy, 1985
Puppets can serve as educational and therapeutic aids in working with children who have learning and/or emotional problems. Puppets help children express feelings, experience creativity, engage in role playing, and act out dreams. (CL)
Descriptors: Creativity, Emotional Problems, Learning Disabilities, Puppetry
Ellis, Julia L. – B. C. Journal of Special Education, 1985
Teachers should design individual project ideas to provide creative motivations for creatively gifted students in regular school classrooms. Examples of project ideas are cited in three case studies. (CL)
Descriptors: Creativity, Elementary Secondary Education, Gifted, Independent Study
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Wright, Lin – Theory into Practice, 1985
Traditionally, classroom drama is a safe literary activity that involves students in reading or writing scripts. The newer methods that have the students out of their seats improvising drama require training that few teachers have had. Current teacher training methods are described, and alternative methods are suggested. (MT)
Descriptors: Creativity, Dramatic Play, Higher Education, Methods Courses
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Willings, David – Roeper Review, 1985
The article describes the Creative Inventory, a means of finding out the conditions under which creative potential is liberated. Exercises to discover these conditions are described and it is suggested that they can be beneficial for older children. (Author/CL)
Descriptors: Creative Development, Creativity, Elementary Secondary Education, Self Evaluation (Individuals)
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Gallagher, Shelagh A. – Roeper Review, 1985
Sixth grade Ss scoring in the top third on the Verbal subtest of the Torrance Tests of Creative Thinking had significantly higher Imaginational Overexcitability scores than Ss scoring in the lower third, whereas Ss scoring in the top third on the Figural subtest had significantly higher Psychomotor Overexcitability scores. (Author/CL)
Descriptors: Academic Achievement, Creativity, Gifted, Imagination
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Webb, Nick – Interchange, 1985
A new epistemology whereby a work of art as a creation is considered knowledge is needed. Advances in epistemology must be correlated with suggestions for practice. The call for creativity in art, and generally in education, may be underpinned by a concern for wisdom rather than traditional knowledge. (MT)
Descriptors: Art Education, Creativity, Elementary Secondary Education, Epistemology
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Ritson, Robert J. – Journal of Physical Education, Recreation & Dance, 1986
This approach to teaching creative dance to children attempts to narrow the gap between theory and practice. It is based on teaching processes definitions and creative functioning levels which encourage creative movement. The teacher's role is to facilitate student participation and ability at five levels of processing. (MT)
Descriptors: Creativity, Dance Education, Elementary Education, Movement Education
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Bruen, Hanan; And Others – Journal of Creative Behavior, 1984
Culturally deprived (N=70) and middle-class (N=64) Israeli sixth graders were tested for creative responses to visual, aural, and verbal stimuli. Nondeprived Ss performed better on 16 out of 27 measures. The gap was not equally wide in all subtests, and verbal expression was an inhibiting factor. (CL)
Descriptors: Creativity, Disadvantaged Youth, Foreign Countries, Intermediate Grades
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Milgram, Roberta M. – Journal for the Education of the Gifted, 1984
The article reviews the interplay of cognitive and creative behavior in adolescence. Three major issues are discussed: the evolution of creativity in adolescence; important personality traits of gifted and creative young people; and the actual creative behavior of gifted adolescents. (Author)
Descriptors: Adolescents, Cognitive Development, Creative Development, Creativity
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Wilmer, Clive – Journal of Aesthetic Education, 1984
Creativity requires the freshness and openness of a childlike vision. By teaching and encouraging children to write creatively, to write poetry, teachers are helping them to respond and react to the world about them and to understand it verbally. (RM)
Descriptors: Children, Creative Writing, Creativity, Educational Objectives
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Gutteridge, Don – English Quarterly, 1983
Explores the role of word sounds in the compositional process and investigates whether the reader's responses to the sound structure need to be adjusted if that structure's influence on the emerging meaning is significant. (MM)
Descriptors: Adolescents, Children, Coherence, Creative Writing
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