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American Journal of Play, 2010
John Morgenstern has taught literature and literacy at Mount Saint Vincent University in Halifax, Nova Scotia, for more than thirty years. He traces his interest in children's literature and play to his boyhood experiences: he read four novels a week--the maximum he could take from the bookmobile that served his Toronto suburb--and incorporated…
Descriptors: Play, Childrens Literature, Novels, Interviews
McCaughey, Kevin – English Teaching Forum, 2010
In this article, the author describes ten of his favorite tools and explains how they can be employed in various ways: (1) to manage the classroom better; (2) to jump into fun activities with little or no preparation; or (3) to promote student-created art and materials. All of these teaching tools are affordable--even cheap. In the event that some…
Descriptors: Teaching Methods, Classroom Techniques, Class Activities, Creativity
Howey, Brad – Teaching Music, 2010
Jamey Aebersold is an internationally known saxophonist and authority on jazz education and improvisation. His series of jazz play-along book and CD sets are valuable tools for music teachers, and his weeklong summer jazz workshops--now in their thirty-third year at the University of Louisville in Kentucky and thirty-seventh year overall--have had…
Descriptors: Music Education, Musicians, Music Teachers, Creative Activities
Harris, Carole Ruth – Gifted and Talented International, 2010
This article presents the author's comments on Hisham Ghassib's article entitled "Where Does Creativity Fit into a Productivist Industrial Model of Knowledge Production?" In his article, Ghassib (2010) provides an overview of the philosophical foundations that led to exact science, its role in what was later to become a driving force in the modern…
Descriptors: Creativity, Gifted, Reader Response, Scientific Concepts
Gibson, Robyn – Teaching in Higher Education, 2010
Richard Florida's "The rise of the creative class" (2002) delivered a strong wake-up call to higher education institutions worldwide. By linking creativity to technological innovation and economic prosperity, Florida argued that universities and colleges should nurture creativity in their students. But for many years, the higher education…
Descriptors: Higher Education, Creativity, Creative Teaching, Innovation
Shin, Ryan – Art Education, 2010
Today's students are the first generation to grow up with computers, cell-phones, video games, music and video players, and other digital technologies. As "digital natives", a new term coined by Prensky (2001), they spend more time reading text messaging lines than lines from books, and they spend more time on Facebook than putting their energies…
Descriptors: Art Education, Creativity, Art Activities, Internet
Reis, Sally M.; Renzulli, Joseph S. – Learning and Individual Differences, 2010
What recent research has been conducted about gifted and talented students and their learning experiences in school? As we complete the first decade of the new century we are entering a time when much attention is focused on remediation and test preparation; it only seems appropriate to reflect upon what has been learned about gifted education…
Descriptors: Gifted, Talent, Educational Experience, Special Education
Hall, Christine; Thomson, Pat – Literacy, 2010
This article offers an analysis of community arts to develop an argument about the power of vernacular literacies. We draw on Paul Willis' work about grounded aesthetics and everyday symbolic creativity in common culture, and Scollon and Scollon's notions of geosemiotics, to analyse a community play written and performed in a council estate in…
Descriptors: Creativity, Foreign Countries, Story Telling, Literacy
Torrents, Carlota; Castaner, Marta; Dinusova, Maria; Anguera, M. Teresa – Journal of Creative Behavior, 2010
Contact improvisation (CI) is a form of dance based on motor creativity, improvisation and the physical contact between different improvisers dancing together. This will generate different ways of moving and a varied use of motor creativity depending on the dancers involved. This study aims to observe the differences in movement generation…
Descriptors: Creativity, Motion, Creative Activities, Dance
Ranjan, Apara; Srinivasan, Narayanan – Journal of Creative Behavior, 2010
Theories of categorization need to account for ways in which people use their creativity to categorize things, especially in the context of similarity. The current three-phase study is a preliminary attempt to understand how people group concepts together as well as to explore the role of similarity between concepts in creative categorization.…
Descriptors: Creativity, Classification, Imagination, Semantics
Tsuji, Atsuko – Journal of Philosophy of Education, 2010
The purpose of this paper is to examine the ateleological moment of learning through imitation. In general, we can learn something new through imitating models we are given, which embody the values of our own society, culture and institutions. This means that imitation is understood in terms of the representation or reproduction of original…
Descriptors: Imitation, Children, Creativity, Experience
Pektas, Sule Tasli – International Journal of Technology and Design Education, 2010
This paper investigates the interactions between design students' cognitive styles, as measured by Riding's Cognitive Styles Analysis, and performance in 2D drafting and design tasks in digital media. An empirical research revealed that Imager students outperformed Verbalisers in both drafting and creativity scores. Wholist-Analytic cognitive…
Descriptors: Cognitive Style, Learning Processes, Correlation, Creativity
Kerr, Barbara; McKay, Robyn – Creativity Research Journal, 2013
Profiling may be a viable means of identifying those creative adolescents who can benefit from specialized guidance and exploration of science, technology, engineering, and mathematics (STEM) fields, arts, and human services. The experimenters developed 1 general and 5 specific profiles including interest, personality, and achievement variables…
Descriptors: Profiles, Creativity, Adolescents, STEM Education
Robinson, Pip – Victorian Journal of Music Education, 2013
Informal learning practices, based on Lucy Green's research into how popular musicians learn, offer students in the music classroom the opportunity to explore collaborative, aural-based learning that is guided, rather than directed, by the teacher. Over a period of five years, informal learning projects were included in the music curricula of two…
Descriptors: Informal Education, Musicians, Music, Music Education
Ratnaningsih, Dewi Juliah – Open Praxis, 2013
The vision and mission of Universitas Terbuka (UT) is to become a highly qualified open and distance education institution and to provide higher education access to all communities. Graduates of UT are expected to acquire adequate knowledge, hard skills and soft skills. Soft skills play important roles in the world of work. The aim of this article…
Descriptors: Foreign Countries, Open Education, Distance Education, Stakeholders

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