Learning through the arts has the potential to stimulate open ended activity that encourages discovery, exploration, experimentation and invention, thus contributing to children's development in all areas of learning and helping to make the curriculum meaningful to them. In this book, the author draws on her extensive experience of promoting young…

This study compared the participation in various types of activities during the elementary school years of academically successful and unsuccessful youth. The academically successful group consisted of 63 college students from lower level general communication classes. The two unsuccessful comparison groups consisted of 53 youth, ages 13 to 16…

This document describes what students should know and be able to do in the visual and performing arts prior to graduation from South Carolina high schools. The standards are based on the "South Carolina Visual and Performing Arts Framework," adopted by the South Carolina State Board of Education in 1993. Standards for performance in…

This document contains Chapter 117 of the Texas Education Code, 28.002, and is related to the Texas Essential Knowledge and Skills for Fine Arts, originally adopted in September of 1997. The provisions and expectations for each area of the fine arts (art, music, dance, theater) and each grade level are provided. The document is divided into…

Describes using a "dialogue of disciplines", a teaching method which traces a particular theme across artistic disciplines, to present Shakespeare's play "Romeo and Juliet" in a comprehensive way. Suggests that exposing students to paintings, films, stage performances, and operas creates a multidimensional experience and…

Presents the responses to the National Standards for Arts Education from four arts education associations. The associations represented are the National Dance Association, Music Educators National Conference, American Alliance for Theater and Education, and the National Art Education Association. Discusses applications and limitations of the…

Describes several programs in which music and dance are used to unlock doors that stereotypes of race, gender, language, religion, or ability have kept shut. Exposure to the music and dance of other cultures helps children's awareness of the diversity of the world and people's essential similarities. (SLD)

Describes the interdisciplinary program utilized at the Missouri Fine Arts Academy (MFAA). Focuses on the high school students in the MFAA discussing the results of a questionnaire and focus groups and also the results of a questionnaire given to the teachers at the academy. (CMK)

Focuses on various topics related to arts education policy such as the creation of the national arts standards, the influence of racism on policy decisions, the importance for equal access to education at all educational levels, and the work of Howard Gardner on multiple intelligences that helped legitimize the arts. (CMK)

Describes two approaches to educational change: (1) the linear, input-output model that focuses on the output of academic achievement measured by standardized tests; and (2) the ecological model that focuses on the school as an ecosystem composed of classroom ecosystems. Discusses four reasons why the arts are necessary for the renewal of schools.…

Comments on remarks by A. Graham Down, president of the Council for Basic Education, about integrating arts education into the curriculum. Concludes that, when the arts are channeled into the mainstream and made part and parcel of everything, arts education becomes dangerously confused. (CFR)

Seven articles present gender issues from a variety of perspectives, discussing a gender fair dance education program in Australia, gender issues in dance history pedagogy, women and dance performance, encouraging male participation in dance, using West African dance to combat gender issues, and gender issues across the curriculum. (SM)

Describes the "International Dictionary of Ballet" and provides an activity for grades 6-9 that can be used by the school library media specialist in cooperation with the music teacher. Resource materials are listed (including books and nonprint materials), and suggestions for adaptation to other curriculum areas are offered. (LRW)

Eight preschool and primary school teachers participated in workshops on planning creative dance instruction. Four months after the workshops, all eight were using dance as an educational tool. Reasons for teachers' choice to use dance in the classroom are discussed. (MDM)

Describes Project Performing Arts Teaching Resources Online (PATRON) that was designed at the University of Surrey (United Kingdom) to deliver digital audio, video, music scores and dance notation across a high speed network to the desktop. Conversion, scanned images, system components, user interface, and user reactions are discussed. (Author/LRW)