The types of work that may qualify for copyright protection are considered generally, and then focus is on certain types of works whose copyrightability may be the subject of litigation in the future. Among those discussed are architectural designs, typeface designs, discoveries, pantomimes and choreographies. (LBH)

Analyzes the sociological and psychological functions of the different forms of traditional Haitian dance. Describes uses of dances for recreation and play, social solidarity, externalization of emotions or sexuality, worship, and artistic expression. (KH)

Three popular models of dance education are discussed: romantic, reductionist, and reinforcement. What is needed is a unitary model, which provides an integrative approach to dance education by relating the emotional, skill-dependent, and intellectual aspects of dance to other subject matter. (RM)

A conceptual framework, patterned on the Presage-Process-Product model, was designed to help sequence relevant elements of the dance teaching-learning process. Research based on this framework is needed to generate practical and theoretical pedagogical guidelines. (Author/DF)

Dance in the physical education program allows students to express themselves while keeping fit. Aerobics is a good starting point for introducing dance into the curriculum. Suggestions for developing an aerobic dance unit are given. (DF)

Provides a course description that emphasizes a structural and functional approach to the musical as genre film and as entertainment. Covers the history of the genre from 1929 to the present. (PD)

The dance instructional facility at Purchase contains dance studios, offices, and workrooms carefully integrated into the master plan of the campus. (Author/MLF)

This paper presents results of a study that sought to answer the question, "How does integrating dance and math in an intense co-teaching model of integration affect student attitudes toward learning math?" The goal of the dance/math project was to engage students in math in ways that reached students' multiple intelligences and encouraged them to…

This kit, which includes a workbook and a companion CD-ROM, is designed to help dancers develop a better understanding of musical time and phrasing, two concepts that directly correspond with dancers' activities. These materials provide an interdisciplinary approach that bridges the perceptual barrier between dancers and musicians by explaining…

This paper describes an improvisational dance model that analyzes verbs and adverbs in terms of their movement essence and yields a unique group dance using dancers of any age or experience. Essence dance uses word cards to build a dance. Each word (verb or adverb) suggests a movement or use of the body. The teacher begins by charting a piece of…

This investigation extends previous research on the benefits of dance education, by further exploring the correlates of participation in dance classes for adolescent girls. The survey evaluated self-esteem, body image, dance ability, and perceived quality of peer and parent relationships. Students with greater dance experience were expected to…

Dance for preschool children can be a vehicle for self-expression and for learning, but teachers must present material in the form of play. Ideas for teaching dance to three- to five-year-old children, such as the proper way to jump and skip, are presented, along with a sample lesson. (PP)