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Wright, Ruth – Music Education Research, 2008
Within a theoretical framework drawn from sociologists of education Bourdieu and Bernstein, this paper will examine some of the findings of an ethnographic case study conducted with a secondary school music teacher and one class of her pupils in Wales. This teacher attracted 25% of Year 10 (14-year-old) pupils to study music as an optional subject…
Descriptors: Curriculum Design, Music Education, Foreign Countries, Music Teachers
Reuer, Barbara Louise; Crowe, Barbara; Bernstein, Barry – American Music Therapy Association, 2007
Written by a team of creative and highly qualified music therapists, this publication provides content training for the use of group percussion strategies with mature adults. In fact, the book promotes senior peers as group facilitators and/or coleaders. The grace of this approach is that no previous musical training is necessary in order to…
Descriptors: Musicians, Older Adults, Music Therapy, Music
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Zhukov, Katie – Music Education Research, 2007
Despite a large body of research into learning styles from cognitive, personality and activity perspectives, the definition of learning style is still unclear. The assessment instruments commonly in use have methodological problems. The learning styles of conservatorium instrumentalists are scarcely known and are best studied using an…
Descriptors: Music Education, Music Teachers, Cognitive Style, Musical Instruments
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Mishra, Jennifer; Backlin, William – Psychology of Music, 2007
Three experiments investigated whether musical memory was context dependent. Instrumental musicians memorized music in one context and recalled in either the same or a different context. Contexts included atypical performing environments (Experiment 1: lobby/conference room) or commonly encountered environments (Experiment 2: practice room,…
Descriptors: Music, Context Effect, Musicians, Musical Instruments
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Matthews, Wendy K.; Kitsantas, Anastasia – Journal of Research in Music Education, 2007
In the present study, we examined whether collective efficacy, group cohesion (task and social), and perceived motivational climate (task-involving and ego-involving orientations) in a music ensemble predict instrumentalists' perceived conductor support. Ninety-one (N = 91) skilled high school instrumentalists participated in the study. To assess…
Descriptors: Musical Instruments, High School Students, Music Education, Attitude Measures
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Kumbar, Mahadev – Journal of Chemical Education, 2007
This paper synopsizes a series of nine tutorials investigating how various chemical processes can be shown to have musical aspects. Both chemistry and music share a common language: mathematics. Interesting music can be created as chemical reactions--mediated by instrumentation and mathematics (e.g., spectrometry and discrete Fourier…
Descriptors: Music, Chemistry, Musical Instruments, Music Theory
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Tiede, Clayton H. – Music Educators Journal, 1975
Article discussed the latest addition to the music education curriculum, instrumental repair and maintenance. (Author/RK)
Descriptors: Charts, Curriculum Development, Diagrams, Equipment Maintenance
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Gaunt, Helena – British Journal of Music Education, 2004
Breathing and breath control are central to playing the oboe, yet few detailed educational resources are available to support their teaching and learning. This paper presents a review of existing knowledge and expertise in the field. It highlights common ground and points of controversy, and indicates some key areas for consideration. It points to…
Descriptors: Music Education, Musical Instruments, Music Techniques, Literature Reviews
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Bacon, F. D. – International Journal of Early Childhood, 1973
"Orff-Schulwerk", an innovative approach to music education, is finding increasing popularity due to its emphasis on creativity and free expression. (CS)
Descriptors: Creative Expression, Educational Innovation, Integrated Curriculum, Music Education
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Carpentier, Alejo – Music Educators Journal, 1975
Article provided a colorful account of the development of Latin American music from the blending of European, African, and Indian elements through the contributions of early composers to the effect of folk music and instruments on contemporary composers. (Editor/RK)
Descriptors: Educational History, Music Activities, Music Education, Musical Composition
Ontario Dept. of Education, Toronto. – 1968
GRADES OR AGES: Grade 13. SUBJECT MATTER: Music. ORGANIZATION AND PHYSICAL APPEARANCE: The central portion of the guide is divided into six units: voice, strings, woodwinds, brass, percussion, and theory and form. Each unit is in list form. The guide is offset printed and staple-bound with a paper cover. OBJECTIVES AND ACTIVITIES: A list of…
Descriptors: Curriculum Guides, Music Appreciation, Music Education, Musical Instruments
Snyder, Virginia; And Others – 1969
GRADES OR AGES: Grade 2. SUBJECT MATTER: Music including vocal, instrumental, and music appreciation. ORGANIZATION AND PHYSICAL APPEARANCE: The guide is divided into three sections, one for each of the above-mentioned categories. It is laid out in four columns across two pages. Column headings are goals, activities, helps for the teacher, and…
Descriptors: Curriculum Guides, Grade 2, Music Appreciation, Music Education
Baird, Jo Ann C. – Today's Education, 1975
Descriptors: Elementary Education, Multimedia Instruction, Music Activities, Music Education
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Bernstein, Alan D. – American Journal of Physics, 1978
Describes an empirical method for tuning a piano by matching measured fundamental frequencies to values determined using a pocket calculator. (Author/GA)
Descriptors: Acoustics, College Science, Higher Education, Instrumentation
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Warrick, James – Music Educators Journal, 1977
With so many roles to juggle and so many complex music problems to resolve, some marching band directors overlook simple rules of thumb to increase their bands' visual and musical impact. Here are some guidelines. (Author/RK)
Descriptors: Bands (Music), Guidelines, Illustrations, Music Activities
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