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Peer reviewedMartin, Elaine – Art Therapy: Journal of the American Art Therapy Association, 2003
Examines correlations between five different line qualities and five different categories of emotions expressed in participant artwork. The sample consisted of 50 adult participants in a partial-psychiatric program. Results showed significant relationships between line quality and emotions. (Contains 15 references, 6 figures, and 2 tables.) (GCP)
Descriptors: Art Therapy, Counseling Techniques, Emotional Response, Freehand Drawing
Peer reviewedRobinson, E. J.; And Others – Developmental Psychology, 1996
Three- to 5-year-old children drew or watched another person draw what the children wrongly thought were the contents of a box. They were then shown the true contents, asked what had been drawn, and asked what they or the other person had thought was in the box. Children were more accurate at recalling drawings than beliefs. (BC)
Descriptors: Foreign Countries, Freehand Drawing, Preschool Children, Recall (Psychology)
Peer reviewedTeske, John A.; And Others – Journal of Experimental Child Psychology, 1992
Children drew pictures of two objects placed in side-by-side or end-to-end views. Objects faced forward, backward, right, or left in such a way that one object occluded the other in some views. Children produced fewer drawings depicting occlusions for end-to-end than for side-by-side alignments. (BC)
Descriptors: Depth Perception, Freehand Drawing, Spatial Ability, Young Children
Peer reviewedCox, Maureen V.; Mason, Sarah – International Journal of Early Years Education, 1998
Examined reasons why young children typically omit the torso in human figure drawings. Found that more children produced a conventional figure when they constructed a manikin than when they were asked to draw, suggesting that children omit torsos because they have not yet devised a way of drawing them, rather than forgetting them or having an…
Descriptors: Childrens Art, Freehand Drawing, Perceptual Development, Young Children
Burkitt, Esther; Barrett, Martyn; Davis, Alyson – Educational Psychology, 2004
Previous studies have revealed that children increase the size of drawings of topics about which they feel positively and use their most preferred colours for colouring in these drawings, and decrease the size of drawings of topics about which they feel negatively and use their least preferred colours for colouring in these drawings. However,…
Descriptors: Freehand Drawing, Art Expression, Childrens Art, Emotional Response
Curry, Nancy A.; Kasser, Tim – Art Therapy Journal of the American Art Therapy Assoc, 2005
This study examined the effectiveness of different types of art activities in the reduction of anxiety. After undergoing a brief anxiety-induction, 84 undergraduate students were randomly assigned to color a mandala, to color a plaid form, or to color on a blank piece of paper. Results demonstrated that anxiety levels declined approximately the…
Descriptors: Undergraduate Students, Geometry, Art Activities, Anxiety
Picard, Delphine; Vinter, Annie – British Journal of Developmental Psychology, 2006
This study aimed at specifying the content of the representational redescription (RR) process assumed by Karmiloff-Smith (1992) with respect to the emergence of inter-representational flexibility in children's drawing behaviour. We hypothesized that the RR process included part-whole decomposition processes that are essential to the ability to…
Descriptors: Children, Freehand Drawing, Child Behavior, Cognitive Processes
Sheppard, Elizabeth; Ropar, Danielle; Mitchell, Peter – British Journal of Developmental Psychology, 2005
Studies of intellectual realism have shown that children aged 7 to 9 copy a line drawing of a cube less accurately than a non-object pattern composed of the same lines (Phillips, Hobbs, & Pratt, 1978). However, it remains unclear whether performance is worse on the cube because it is a three-dimensional representation, or because it is a…
Descriptors: Age Differences, Art Education, Children, Duplication
Barrett, Anne E.; Cantwell, Laura E. – Educational Gerontology, 2007
Using data collected from undergraduates at two large, public universities (N = 183), we examined features of student drawings (e.g., facial expressions) as reflections of dominant views of the elderly. Sketches depicted both negative (e.g., frailty) and positive stereotypes (e.g., kindness). They also illustrate gender inequality; for example,…
Descriptors: Older Adults, Universities, Altruism, Freehand Drawing
Smith, Alastair D.; Gilchrist, Iain D.; Butler, Stephen H.; Muir, Keith; Bone, Ian; Reeves, Ian; Harvey, Monika – Brain and Cognition, 2007
Spatially lateralised deficits that typically define the hemispatial neglect syndrome have been shown to co-occur with other non-lateralised deficits of attention, memory, and drawing. However even a simple graphic task involves multiple planning components, including the specification of drawing start position and drawing direction. In order to…
Descriptors: Stimuli, Patients, Language Tests, Creativity
Tripp, Tally – Art Therapy: Journal of the American Art Therapy Association, 2007
This article describes a dynamic, short-term art therapy approach that has been developed for the treatment of trauma related disorders. Using a modified Eye Movement Desensitization and Reprocessing (EMDR) protocol with alternating tactile and auditory bilateral stimulation, associations are rapidly brought to conscious awareness and expressed in…
Descriptors: Stimulation, Eye Movements, Art Therapy, Cognitive Processes
Wright, Susan – Australian Journal of Early Childhood, 2007
Young children's meaning-making is a multifaceted, complex experience, where thought, body and emotion unite. Rich and intricate creations are brought to life through children's formation, communication and interpretation of "signs" which stand for or represent something else. The term drawing-telling is used to describe children's use of a range…
Descriptors: Childrens Art, Young Children, Story Telling, Freehand Drawing
Leigh, S. Rebecca; Heid, Karen A. – Journal for Learning through the Arts, 2008
This eight-week study supports the view that literacy learning is multimodal (Berghoff et al., 2000). It contributes to existing research (Dyson, 1986; Gardner, 1980; Hubbard, 1989; Hubbard & Ernst, 1996; Olshansky, 2007, 2008; Skupa, 1985) on the communicability of drawing and writing as vehicles through which children make and share meaning.…
Descriptors: Grade 1, Freehand Drawing, Writing (Composition), Literacy Education
Hipkins, Rosemary; Bull, Ally; Joyce, Chris – Journal of Biological Education, 2008
There is growing recognition of the importance of helping children to develop an ability to think about biological and environmental issues in terms of systems interactions and impacts. Several progressions have been published that suggest how their conceptual understandings may develop over time. However these are not necessarily as informative…
Descriptors: Student Attitudes, Familiarity, Ecology, Systems Approach
Kendrick, Maureen; Jones, Shelley – Canadian Journal of Education, 2008
This Ugandan-based study examined how visual modes of communication provide insights into girls' perceptions of literacy, and open broader dialogues on literacy, women, and development. Twenty-nine primary school girls used drawing and 15 secondary school girls used photography to depict local literacy practices in relation to their own lives and…
Descriptors: Photography, Females, Visual Perception, Rural Areas

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