Recommends a series of reading and writing assignments designed to help students develop style and tone in their writing. (TJ)

Describes a drama workshop conducted with the Maryland Writing Project Summer Teacher Institute by two visiting teacher trainers from London. Provides examples of drama methodologies using a Shakespearean text--"Midsummer Night's Dream"--and invites joint enquiry into opportunities for writing. Designs workshop activities to make them…

States that teachers in business/technical writing classrooms are unsure of why they should internationalize their curriculum, despite increases in international business, in the number of workers employed by overseas businesses, and ethnically and culturally diverse populations within the United States. Provides a 33-item critical annotated…

Describes using a three-step process (called active reflection) with secondary school remedial reading students. Notes that, using this framework, students use literature to make connections, release their imaginations through reaction to literature, and record their reflections in a variety of ways. (SR)

Addresses the cultural diversity that exists in English-as-a-second-language classrooms. Discusses a Halloween story unit developed to help students bridge cultural differences. (RS)

Describes a school-wide creative writing activity for grades 1-9 in which students wrote about their teacher's (fictional) early life. (SR)

Describes how a first-grade teacher often concludes the study of a topic with a "what we've learned chart" (which adapts paragraph frames to extend the well-known K-W-L chart) to assess student learning and provide opportunities for nonfiction writing. (SR)

The effects of choosing academic assignments on the undesirable behaviors manifested by a second-grade student with attention deficit hyperactivity disorder were analyzed. The student was in a general education classroom. A reversal design showed that undesirable behaviors decreased when the student was given a choice of academic assignments.…

Presents a variety of reading, writing, art, and discussion activities to keep students interested in studying "Romeo and Juliet." Describes using the film version of the play as a companion piece to unify the oral reading. (RS)

Considers combining topics in a virtual class as an attempt to assist incoming Master of Science Management students in accomplishing their long list of managerial communication learning objectives in a shorter delivery time and within the virtual environment. Describes the contemporary book review and discussion assignment and considers benefits…

Of 208 Welsh nursing/midwifery lecturers, large numbers corrected referencing, grammar, spelling, and sentence structure in students' written work; many felt this was less appropriate at higher levels. There was a discrepancy between opinions about and actual frequency of meetings with supervisees. Many commented on students' academic ability as a…

Provides six remembrances by teachers and students of the Teachers and Writers Collaborative on the occasion of its 35th anniversary. Discusses the quality of colleagues and the excitement of teaching. Notes the motivating influence of this teaching on students. (PM)

Discusses problems with using tutorials for digital art assignments in higher education, including plagiarism, and suggests focusing on concept mastery and customizing assignments for better assessment. Provides three examples, including using shapes to draw a series of objects, designing a thumbnail gallery of 10 images, and creating a computer…

Characterizes academic discourse. Argues for the need for some nonacademic writing in freshman writing courses. Discusses the different styles of academic discourse within the field of composition. Notes stylistic conventions of academic discourse. Discusses implications for the teaching of freshman writing. (RS)

Discusses using a vase of dead roses in a writing class to teach students to deal with emotionally charged subject matter, see beyond the obvious, use language concisely to convey a message, and strike a universal chord in an audience--that is, to communicate intimately with an audience. (SR)