The author describes her work as a Poet-in-the-Schools for the Ohio Arts Council particularly in relation to inspiration in the creative process. Stressed is the need for educators to recognize that creative production most often takes place after reflection on inspiration and to provide situations conducive to preparation and incubation. (SBH)

The final part of an article on the process of identifying gifted and talented children presents data and discusses implications of the use of the Guidance Institute for Talented Students' Screening Instrument (GIFTS). (For Parts 1 and 2, see EJ 216 146 and EJ 221 686.) (PHR)

A study on the relationship between insight and hemispheric use in science courses for gifted students is briefly described. (Author/PHR)

Aesthetic sensitivity is present in children to varying degrees, but creativity emerges and develops with intelligent assessment of aesthetic experiences. (JD)

Explores the implications of individual effort amidst education's bigness and the possibility of retrieving new instructional "ideas" from the bewildering sea of new research and publications. Teachers need to be continuously informed and consistently encouraged to employ their new knowledge creatively. (Author/BEF)

The article presents three activities designed to create new images, restructure ideas, and try out new ways of thinking for primary-aged gifted children. (PHR)

Reviews the major principles and techniques from the literature on rhetorical invention that bear on honest inquiry in the framework of Graham Wallace's four stages of the creative process. (DD)

This paper evaluates research suggesting that group brainstorming may be detrimental to the production of creative ideas, evaluates its implications for gifted education, and proposes ways to enhance the effectiveness of group brainstorming. Facts about brainstorming are summarized and research needs identified. (DB)

Defining successful intelligence as ability to adapt to environment to accomplish goals leads to radical reconceptualization of "good student." A project testing high school students for four kinds of achievement (memory, analytical, creative, and practical) discovered that students placed in instructional sessions matching their ability…

This study of 200 college students examined differences in goal structures between high and low creative individuals, across creative and routine situations, and in 4 categories (person, process, situation, and product). Most subjects described their motivation as involving all four categories, though high creatives put more emphasis on person and…

Debunks five misconceptions about improving creative thinking. To encourage students to think creatively, instructional techniques should reflect an integrated set of mental skills, use materials mimicking real-life situations, consider students' beliefs and tendencies toward creative thinking, show metacognitive sensibility, and foster a creative…

Presents an integrated model as an appropriate intervention to enable mourning and creativity and thus help in the prevention and treatment of unresolved grief in midlife. Two examples of this model in art-psychotherapy group treatment are provided. (Contains 53 references, 1 table, and 2 figures.) (GCP)

Compares the effects of instructional art projects on children's behavioral responses and creativity in a sample of children residing in an emergency shelter. Results reveal that children produced more formed expressions and creative/design elements and less chaotic discharge and stereotypic art through the art project that involved few…

This introductory article argues that creativity and innovation are key requirements for the growth and adaptation of organizations. Articles focusing on how creativity and innovation can be encouraged in the workplace are reviewed. Useful directions for future research are discussed along with the methodological issues likely to arise. (Author/CR)

Discusses the definition of creativity and the broad methodological issues associated with organizational creativity. Reviews the most relevant theoretical models for studying creativity in organizations. Specific methodological requirements for studying creativity in organizations are then discussed, with emphasis on issues of validity and…