Publication Date
| In 2026 | 0 |
| Since 2025 | 30 |
| Since 2022 (last 5 years) | 147 |
| Since 2017 (last 10 years) | 336 |
| Since 2007 (last 20 years) | 685 |
Descriptor
| Musical Composition | 1419 |
| Music Education | 1041 |
| Music | 468 |
| Teaching Methods | 332 |
| Music Activities | 321 |
| Musicians | 297 |
| Foreign Countries | 280 |
| Musical Instruments | 271 |
| Music Teachers | 259 |
| Music Techniques | 227 |
| Creativity | 191 |
| More ▼ | |
Source
Author
| Andrews, Bernard W. | 5 |
| Biasutti, Michele | 5 |
| Elkoshi, Rivka | 5 |
| Fautley, Martin | 5 |
| Hickey, Maud | 5 |
| Kratus, John | 5 |
| Upitis, Rena | 5 |
| Yoo, Hyesoo | 5 |
| Ahlstrom, David | 4 |
| Barrett, Margaret | 4 |
| Berk, Lee Eliot | 4 |
| More ▼ | |
Publication Type
Education Level
Audience
| Practitioners | 126 |
| Teachers | 112 |
| Researchers | 23 |
| Students | 9 |
| Administrators | 6 |
| Media Staff | 5 |
| Parents | 2 |
| Policymakers | 1 |
Location
| Australia | 36 |
| Canada | 25 |
| Turkey | 21 |
| United Kingdom | 21 |
| China | 18 |
| United Kingdom (England) | 18 |
| New York | 12 |
| Finland | 10 |
| Brazil | 9 |
| Italy | 9 |
| Michigan | 9 |
| More ▼ | |
Laws, Policies, & Programs
| Copyright Law 1976 | 2 |
| Digital Millennium Copyright… | 1 |
| Goals 2000 | 1 |
| Technology Education and… | 1 |
Assessments and Surveys
| National Assessment of… | 3 |
| Adjective Check List | 1 |
| Learning Style Inventory | 1 |
| NEO Five Factor Inventory | 1 |
| Program for International… | 1 |
| Raven Progressive Matrices | 1 |
What Works Clearinghouse Rating
Peer reviewedMay, James D. – Music Educators Journal, 1976
Describes benefits that can derive from the use of avant-garde music in a choral classroom. (Editor)
Descriptors: Choral Music, Creative Activities, Creative Expression, Music Education
Peer reviewedCrawford, Richard – Journal Of Research In Music Education, 1973
Article restricts itself to a survey of Billings' own comments about the music he composed. (Author)
Descriptors: Choral Music, Music, Music Education, Music Teachers
Peer reviewedBrandt, William E. – Music Educators Journal, 1974
Article discussed the musical language of Elliott Carter, a major composer and contributor to new musical developments in America. (RK)
Descriptors: Charts, Educational Background, Music, Music Education
Palmer, Mary J. – Instructor, 1974
Described a simple musical device teachers can use to stimulate children into learning to compose and understand music. (RK)
Descriptors: Child Development, Diagrams, Learning Experience, Music Activities
Boyer, Horace C. – Black World, 1973
Of all the musical contributions of the Afro-American to permeate world music in the last decade, gospel songs are undoubtedly the most influential. While the origins of this music lie in the churches of the rural South and ghettos of the urban North, it has now reached the ears of all. (Author/RJ)
Descriptors: Aesthetic Education, Black Community, Black Culture, Music Appreciation
Spain Today, 1973
Descriptors: Artists, Choral Music, Music, Music Techniques
Peer reviewedSonenfield, Irwin – Music Educators Journal, 1973
Discusses the relation of music and religion to contemporary youth. (RK)
Descriptors: Cultural Awareness, Music Appreciation, Music Education, Musical Composition
Peer reviewedGriffis, Janet Tupper – Music Educators Journal, 1973
Compares some inadequate and uninteresting music with music that is creative and stimulating, and considers the musical values of audiences. (RK)
Descriptors: Audiences, Music Activities, Music Appreciation, Music Techniques
Ferraro, Louis; Adams, Sam – Peabody J Educ, 1969
Descriptors: Listening Comprehension, Listening Skills, Music, Music Appreciation
Peer reviewedMadsen, Clifford K.; Staum, Myra J. – Journal of Research in Music Education, 1983
Two studies investigated (1) the degree to which college students who were not music majors were able to discriminate identical melodies when extremely similar melodies were interpolated between test and recall melodies and (2) differences that might be attributed to either modal (major-minor) or meter (simple-compound) presentations. (Author/SR)
Descriptors: Auditory Discrimination, Educational Research, Higher Education, Music Education
Peer reviewedSilbermann, Alphons – International Social Science Journal, 1982
The object of empirical musical sociology is to study the social interaction and interdependence of musicians or composers, their music, and the public. Trends in historical and contemporary musical sociology and the constituents of the musical process are examined. (AM)
Descriptors: Audience Participation, Music, Musical Composition, Musicians
Peer reviewedShafer, Gloria – Music Educators Journal, 1981
The children's song cycle is a group of related songs composed for children, to be sung by adults. Although children's song cycles as a genre have never commanded such attention, these cycles are valuable educational tools that can serve as an introduction to classical music and art songs. (Author)
Descriptors: Art Song, Childhood Interests, Classical Music, Elementary Education
Peer reviewedKawarsky, J. – Music Educators Journal, 1982
Describes how a student teacher used the Comprehensive Musicianship approach to introduce high school choruses to contemporary music. Choir students participated in the entire composition process from text selection to musical analysis of a choral work. Student discussion of the completed work reinforced their understanding of musical principles.…
Descriptors: Choral Music, High Schools, Music Education, Musical Composition
Peer reviewedKoppenhaver, Allen J. – Music Educators Journal, 1979
The composer of an opera for elementary students describes his composition and the process of taking it out to the schools of southern Ohio. This article is part of a theme issue on opera. (SJL)
Descriptors: Elementary Education, Music Education, Musical Composition, Nonschool Educational Programs
Peer reviewedSeashore, Carl E. – Music Educators Journal, 1979
This article originally appeared in March, 1940 as "Why No Great Women Composers?" The author, a psychologist, finds no sex differences in music achievement traceable to ability or opportunity, but feels that a woman's fundamental urge is to be loved, while a man's is to achieve in a career. (SJL)
Descriptors: Ability, Females, Goal Orientation, Males


