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Allen, Steve – Journal of Creative Behavior, 1972
Speech made before a group of students on the subject of creativity based on author's own experiences as an entertainer, poet, songwriter. (CB)
Descriptors: Cognitive Processes, Creativity, Experience, Musical Composition
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Joplin, Scott – Music Educators Journal, 1973
Author lists exercises that explain the musical meaning of ragtime. (RK)
Descriptors: Diagrams, Jazz, Music Techniques, Musical Composition
Doyle, John G. – Music Educ J, 1969
A biographical sketch of Gottschalk, a pianist and "the first american composer to use the folk idiom and rhythm of this hemisphere in serious composition. (Author/JG)
Descriptors: Biographies, Music, Music Techniques, Musical Composition
Ahlstrom, David – Music Educ J, 1969
The author briefly describes the making and changing of the music art form. (JG)
Descriptors: Music, Music Techniques, Musical Composition, Musical Instruments
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Berk, Lee Eliot – Music Educators Journal, 1971
Descriptors: Copyrights, Laws, Music, Music Teachers
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Shoemaker, John R. – Music Educators Journal, 1971
Descriptors: Brass Instruments, Concerts, Musical Composition, Musical Instruments
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Creston, Paul – Music Educators Journal, 1971
Descriptors: Music Activities, Music Appreciation, Musical Composition, Values
MacCluskey, Thomas – Music Educ J, 1969
A discussion of the following musical elements of rock: rhythm, melody, harmony, and form. A impromptu analysis made at a session of the Youth Music Symposium, July 25, 1969. Remarks transcribed from tape. (Author/AP)
Descriptors: Music, Music Techniques, Music Theory, Musical Composition
Lawler, Vanett – Music Educ J, 1969
The contributions of Villa-Lobos as a music educator, conductor, and composer. (AP)
Descriptors: Biographies, Concerts, Music Education, Musical Composition
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Wolfe, George – Music Educators Journal, 1983
To what degree can computers be programed to create original, aesthetic musical compositions? Three examples of computer-generated melody illustrate that computers are by no means close to producing advanced musical works which call for aesthetic and intuitive decision making. (Author/KC)
Descriptors: Artificial Intelligence, Computers, Creative Expression, Musical Composition
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Nemetz, Kathleen – Music Educators Journal, 1983
Joel Krosnick, a top performer of avante-garde music, urges students to recreate the fantasy that the composer visualized in creating the music through gestures, expression, and coloration. (AM)
Descriptors: Applied Music, Musical Composition, Musicians, Teaching Methods
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Aquino, John – Music Educators Journal, 1979
In recognition of Rudolf Friml's centenary (1879-1979), his career as a composer of operettas, musical comedies, and musical satires and as a concert pianist is reviewed. (KC)
Descriptors: Biographies, Modern History, Musical Composition, Musicians
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Rickert, William E. – Communication Education, 1979
Suggests a teaching strategy that sets poems to song in order to stimulate interest in poetic structure and understanding of rhythm and musicality in performance. (JMF)
Descriptors: Language Rhythm, Music, Musical Composition, Poetry
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Mussulman, Joseph A. – Music Educators Journal, 1980
Presented is the life and philosophy of Alice Parker, a teacher of musical composition, who is in great demand as a speaker on college campuses and who composes on commission for a wide variety of organizations. (KC)
Descriptors: Biographies, Music Theory, Musical Composition, Musicians
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Nadeau, Roland – Music Educators Journal, 1981
Examining the avant garde trend in twentieth century music, the author criticizes those he calls the "radical fringe" for leading music into bankruptcy through a total rejection of tradition. He speculates on the future of music. (SJL)
Descriptors: Futures (of Society), Innovation, Modernism, Musical Composition
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