In spite of current sentiment to the contrary, the wellsprings of mathematics are not utility and relevance, but creativity, imagination, and an appreciation of the beauty of the subject. This has implications for the teaching of mathematics. (PK)

It is proposed that, although lexical derivation has received some attention among linguists, little interest is shown in its pedagogical implications. Hypotheses about the mechanisms of derivation are outlined, current pedagogical applications are described, and further practical suggestions are made, using examples from English, French, and…

This discussion of technological revolution focuses on the computer and its uses in education. Contrasts between human traits, such as insight and creativity, and computer capabilities are discussed; the computer as its own instructional device is described; and possible educational changes resulting from computers are addressed. (LRW)

A good liberal arts education is not a dress rehearsal for anything, but a real experience in maturing--intellectually and personally--and in developing the crucial skills of creativity, confidence, and curiosity. These skills are at least as important as the knowledge accumulated in class. (MSE)

Proposes an approach to teaching grammar that calls on the student's imagination and frees the learning process from classroom routine. The technique uses examples of specific constructions in French poetry to illustrate principles of grammar and discourse. (MSE)

Art historians are saying that while art outside the mainstream challenges many usual assumptions about art history, more attention should be given to nontraditional art genres such as graffiti, folk art, children's art, prehistoric cave paintings, and the art of the insane. (MSE)

It is argued that a behavioral objectives approach to dance education is dangerously limited because it is dominated by a particular view of theoretical psychology that attempts to understand skill learning in terms of conditioning and reinforcement. This approach is especially limited in the teaching of creative and expressive dance. (RM)

The developer of Logo describes several creative ways in which the Logo programing language is being used to capitalize on its full potential. He also discusses biases and problems relating to Logo use which limit student creativity and self-learning. (MBR)

Describes "TechTivities," a summer program for pre-teens that was designed to offer an opportunity for children to explore subjects of special interest in a unique setting; help children acquire skills and areas of knowledge for future use; and enable a child to develop a healthy self-image through small group activities. (CT)

Describes an exercise which focuses on the ethical and human aspects of science. Outlines the approach and components of a writing assignment based on a literary and humanistic analysis of "The Double Helix" by James Watson. Provides sample questions and examples of integrative literary works. (ML)

Explains how a year of observing two successful novelists write and revise on the computer provided a number of ideas that are encapsulated in the concept of a fluid text or the writer's conscious avoidance of a text that becomes static or fixed. (HOD)

It is the responsibility of the teachers to make education a creative experience. Education should give children opportunities to create multiple solutions to identical problems, teach children how to formulate questions and problems, and cultivate the ability to experience the world sensitively. (CT)

Examines biological and environmental determinants of creative/divergent thinking in light of two studies--one showing an inverse relationship between serum uric acid and divergent thinking and one showing a positive correlation between family size and creativity in upper socioeconomic status groups. Outlines classroom practices that promote…

Deals with lexical derivation as it is manifested in the oral and written production of anglophone learners of Italian. Assumes that lexical derivation belongs to that linguistic competence which is based on creativity and that no essential differences exist between the ability of native and nonnative speakers to utilize this competence. (SED)

Music motivator projects that enable the elementary teacher to use social science methods (known as ethnomethodology) to observe and learn about students without testing are described. Working in groups and guiding each other, students compose a musical composition and then notate it. Discovery learning is encouraged. (RM)