Publication Date
| In 2026 | 0 |
| Since 2025 | 69 |
| Since 2022 (last 5 years) | 323 |
| Since 2017 (last 10 years) | 845 |
| Since 2007 (last 20 years) | 1722 |
Descriptor
Source
Author
| Zingher, Gary | 14 |
| Rushton, Erik | 8 |
| Ryan, Emily | 8 |
| Swift, Charles | 8 |
| Christian, Cinda | 7 |
| Torrance, E. Paul | 7 |
| de Bruin, Leon R. | 7 |
| Beghetto, Ronald A. | 6 |
| Roman, Harry T. | 6 |
| Sawyer, R. Keith | 6 |
| Lubart, Todd | 5 |
| More ▼ | |
Publication Type
Education Level
Audience
| Practitioners | 470 |
| Teachers | 317 |
| Students | 33 |
| Parents | 32 |
| Media Staff | 20 |
| Researchers | 19 |
| Administrators | 16 |
| Counselors | 10 |
| Community | 6 |
| Policymakers | 4 |
Location
| Australia | 99 |
| United Kingdom | 74 |
| United Kingdom (England) | 40 |
| Turkey | 35 |
| Canada | 34 |
| Finland | 30 |
| California | 26 |
| New York | 25 |
| Russia | 25 |
| United States | 24 |
| Italy | 20 |
| More ▼ | |
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Samta P. Pandya – Journal of Dance Education, 2025
This article reports a quasi-experiment on the impact of contact improvisation (CI) sessions and free improvisation (FI) interfaces on dance proficiency, improvisation competence/output quality, and multigroup ethnic identity formation of Indian classical dancers in the United Kingdom, United States, Singapore, and Australia. FI participants…
Descriptors: Indians, Immigrants, Dance, Self Concept
Anne Pirrie; Kari Marie Manum; Nicole Besse – Educational Philosophy and Theory, 2025
This article comprises a lyrical exposition of the 'in-betweenness' that underlies pedagogical relations and musical practice. The latter comprises making, performing, teaching, and indeed listening to music, phenomena encapsulated in the term 'musicking', first coined by the musicologist Christopher Small in 1999. Improvisatory practice is…
Descriptors: Music Education, Drills (Practice), Creative Activities, Discovery Learning
Adolf Murillo; Pablo Marín-Liébana; María Elena Riaño; Adela González-Zamora – Music Education Research, 2025
Numerous researchers and educators have identified musical improvisation as a strategy with significant benefits for musical learning. Nevertheless, many educators are reluctant to use it due to insufficient preparation and skills. This study aims to assess the impact of a training programme designed to equip future teachers with tools and…
Descriptors: Music Education, Preservice Teacher Education, Music Teachers, Creative Activities
John Potter; Michelle Cannon; Kate Cowan – Global Studies of Childhood, 2024
The Play Observatory was a COVID-19 rapid response project funded by UK Research and Innovation (UKRI) exploring children's play experiences during the pandemic through an online survey, case studies and a filmmaking workshop. With access to many of the usual spaces and places of play curtailed during the lockdowns of the pandemic, in this…
Descriptors: COVID-19, Pandemics, Play, Children
Lesley Mickel – Teaching in Higher Education, 2024
This article considers how the performing arts integrate with research, learning and teaching. In doing so, it addresses the relation between research and performance practice, and the connections between research/practice with learning and teaching. Reference to A/R/Tography is made as a constructivist praxis facilitating integration of these…
Descriptors: Theater Arts, Integrated Activities, Creative Activities, Learning
Jean-Christophe Goulet-Pelletier; Denis Cousineau – Journal of Creative Behavior, 2024
This study aimed to understand the factors predicting creative activities and creative achievements among university students. Based on a recently proposed framework of 10 creative spaces, we hypothesized that exploring those creative spaces, alongside the personality trait openness to experience and divergent thinking abilities would predict…
Descriptors: Undergraduate Students, Public Colleges, Foreign Countries, Creativity
Jackie Walduck – British Journal of Music Education, 2024
A tension between freedom and constraint is characteristic of improvisation practice and pedagogy, presenting challenges for teachers/workshop leaders. To create musical focus in ensemble improvisation, some sounds are encouraged, whilst others are edited out, ignored or marginalised. This article investigates improvised sounds as central or…
Descriptors: Creative Activities, Music Education, Teaching Methods, Music
Lianlian Ji; Yuan-Cheng Chang – Journal of Pedagogical Research, 2024
This study aims to explore whether the creativity of university students in Higher Vocational Education in China can enhance their creative performance through autonomous motivation. The theoretical foundation of this study is interactionist model of creativity, the study employs structural equation modeling for analysis and validation. A survey…
Descriptors: Foreign Countries, Vocational Education, Higher Education, Creativity
Williams, Sarin – Journal of General Music Education, 2023
Although there is a consensus that it is important to teach jazz and the skill of improvisation inherent within it, many feel unprepared to do so. This article presents a simple way for beginners to improvise through the blues scale and harmonic progression at any present skill level in kindergarten through high school general music coursework.…
Descriptors: Music Education, Skill Development, Creative Activities, Music Activities
Anderson, Ross C.; Beghetto, Ronald A.; Glaveanu, Vlad; Basu, Marina – Creativity Research Journal, 2023
The "consensual assessment technique" (CAT) represents one of the most popular evaluation techniques used by researchers to assess creative artifacts. In this paper we discuss how the prototypical use of the CAT, while useful for identifying unambiguous examples of creative artifacts, can inadvertently kill the curiosity of researchers…
Descriptors: Evaluation Methods, Creativity, Creative Activities, Self Expression
Dower, Ruth Churchill – LEARNing Landscapes, 2022
Movement can be a powerful force for sensory connection and expression in young children who sometimes don't speak. Their kinaesthetic curiosity naturally experiments with--and forms spontaneous relationships through--touching, sensing, and moving-with the world around them. This article wonders what might happen if children's connective movements…
Descriptors: Dance, Young Children, Speech Impairments, Kinesthetic Methods
Shanhu Wang – Interactive Learning Environments, 2024
This paper aims to study the features of vocal improvisation using interactive musical technologies. The survey method contributed to determining the level of vocal skills of 214 respondents auditioned before the experiment. The authors developed a training programme based on previously received information. It included breathing, technical,…
Descriptors: Singing, Musical Instruments, Music Education, Program Effectiveness
Virginia Clinton-Lisell; Alison E. Kelly – Psychology Learning and Teaching, 2024
In recent years, renewable assignments, or student creations that have value outside of a course, have received considerable attention. However, there is little theoretically grounded inquiry into students' motivation for renewable assignments such as scientific memes. Moreover, it is unknown how public sharing of renewable assignments affects…
Descriptors: Graduate Students, Undergraduate Students, Science Education, Teaching Methods
Regina Fabian; Daria Tarasova; Thomas Bergmann; Tanja Sappok – International Journal of Developmental Disabilities, 2024
People with intellectual disability (ID) generally tend to have difficulties expressing their thoughts and feelings verbally. Art-based therapies rely less on cognitive ability and verbal skills and aim to promote mental health. Drama therapy provides a playful framework to communicate problematic issues and to foster social skills.…
Descriptors: Foreign Countries, Intelligence Tests, Adults, Art Therapy
LeAnna B. Iddings – Visions of Research in Music Education, 2024
This literature review describes the origin and development of Dalcroze Eurhythmics and the implications of utilizing this approach in the choral rehearsal. This information aims to equip choral directors with knowledge about how Eurhythmics can benefit their pedagogical practices and students' experiences in choir. Émile Jaques-Dalcroze developed…
Descriptors: Singing, Music Education, Teaching Methods, Educational Benefits

Peer reviewed
Direct link
