Pedantry and technology have damaged the ties between the university and the art museum, but several recent initiatives offer hope for a new alliance. Cooperative arrangements for teaching, museum training, and special exhibitions are discussed. (Author/LBH)

The new University of the Arts was created by the merger of the Philadelphia College of Art and the Philadelphia College of the Performing Arts. An increasing interchange among art disciplines is seen, but each student must also take liberal arts courses. (MLW)

Under the directorship of Holger Cahill, who drew upon John Dewey's principle of the universal communicability of art, the Federal Art Project of the Great Depression era gave all of the people the opportunity to study and enjoy art. Specific programs of the project are described. (RM)

Negro youth who study their own culture and art history can form a better perception of where they stand in the world and will more easily find a suitable career. (CK)

Southeastern Center for Contemporary Art (SECCA) is an art center in Winston-Salem, North Carolina where Creative Learning Out of Doors (CLOD) takes place. The program involves 6 to 14 year olds with artists from the region, art ideas, and techniques in using materials with which artists teach in their studios. (KC)

Described is a program which brought talented high school juniors to a summer camp where they participated in ceramics and drawing programs. It took place on the Plymouth State College campus where group classes were taught by professionals using an interdisciplinary approach. (KC)

Transcripts of the spontaneous remarks of adult visitors to a fine arts museum were analyzed according to four models of aesthetic experience. An expanded alternative model is proposed that incorporates some features from each model to better describe how visitors respond to the aesthetic experience. (SLD)

Self Help Graphics is a community art center in East Los Angeles whose mission is to empower the Chicano community by instilling pride in their culture through the visual arts. Its programs have instructed youth, enabled like-minded artists to exchange ideas and artistically express political views, and elevated appreciation of Chicano art…

Discusses the artwork of Chuck Close, who is well known for his over-sized portraits of fellow artists and anonymous sitters, and the exhibition of his work that premiered at New York's Museum of Modern Art before traveling to other cities in the United States. (CMK)

This paper examines the onto-epistemic status and understanding of contemporary material culture and of visual art, particularly in the context of gallery education. It does so through a case study of the response of 15 year-old school students in the Czech Republic and in England to a recent photographic exhibition, I.N.R.I., created by artists…

Postcards Home using photography, scanning, digital image manipulation, text and colour printing was the third Download project devised by the education department of the Whitechapel Art Gallery, London, England. It was led by artist Laurie Long with teachers and pupils from Pooles Park primary school in Islington, an inner city borough in North…

The hearing was opened by Representative Pat Williams of Montana, who explained that the Subcommittee on Postsecondary Education of which he is chairman, has jurisdiction over the National Endowments for Arts and Humanities and the Institute of Museum Services (IMS), and that programs in these agencies account for the largest portion of federal…

The Visual Arts Program of the National Endowment of the Arts undertook a survey to determine the economic conditions of artists and the processes by which they exhibit works in four cities located outside the major art centers of New York City, Los Angeles, and Chicago. The selected market areas included Houston, Minneapolis, Washington, and San…

This monograph presents descriptions of programs and projects concerned with career education in the visual arts that were identified in a national survey of state art directors, regional and city art supervisors, and others who had knowledge of ongoing art programs. The first of eight sections contains programs which have been planned and…

This report contains the results of a 1978 study of arts programs conducted through the public and private schools community organizations and art institutions that provide art education for New York City public school children. The process of "arts in education" is defined as "any person or persons imparting knowledge through a…