This "NAEP Arts Report Card" for music, theater, visual arts, and dance is in the form of a CD-ROM. This version includes recordings, videos, and other materials used as stimuli for students, extensive examples of student works of art and performances, and explanations of how these works of art and performances were scored. The report's…

Six public specialized schools for high ability (gifted and talented) students that provide the opportunity to develop a particular skill or intellectual bent are described. Special attention is focused on philosophical concerns, problems, and benefits of the specialized school, along with student identification and admission, curricula, and…

Historically, the Pueblo Indians appealed to artists and writers' colonies in Santa Fe-Taos (New Mexico), inspiring a superficial art and, on a deeper level, inspiring a desire to explore and communicate the Pueblos' intrinsic values. The deeper appeal crucially influenced the establishment and continued productivity of the Santa Fe-Taos American…

Attempts to document the process of being immersed in the discipline of visual art making by presenting excerpts from an artist's studio diary. Includes post-diary commentaries on the excerpts and a discussion of how this process informed the artwork. Includes photographs of artworks produced during this period. (MJP)

Recommends using "Readers' Theater" as an interdisciplinary approach to social studies. Maintains that the format lends itself to the examination of social issues and current events while it provides opportunities for a variety of learning styles. Briefly discusses Jan Truss' book, "A Very Small Rebellion." (MJP)

Outlines how a museum visit and the Looking/Learning article, "Painting: Neo-Impressionism," ("School Arts," September 1989) were used to inspire sixth grade students to make their own Neo-Impressionist works. Comments on the diversity of the students' techniques in attempting to blend color visually. (KM)

Describes the emotional link to the text that an author and an illustrator must create for the reader. Traces the development of that link while the author illustrated "Very Last First Time," by Jan Andrews, a rite-of-passage tale about a young Inuit girl. (RAE)

Presents four lessons based on three paintings and one woodcut by women artists. Contends that the lessons provide visual imagery that will challenge the imagination of female students and enhance their self-esteem. Includes full-page color reproductions of the art works, student objectives, and instructional strategies. (CFR)

Examines an unusual approach to aesthetic education utilizing open-ended philosophical inquiries (conundrums) to facilitate class discussions. The conundrums were submitted by artists, gallery owners, and teachers. Results showed the approach to be an effective adjunct to instruction, provided the teachers could refrain from "filling in"…

Reports on a three-year ethnographic study of the visual arts curriculum in three elementary schools. Finds three distinct orientations: (1) the rote, teacher-centered orientation; (2) the open-ended, student-centered orientation; and (3) the higher order, cognitive orientation. (CFR)

Maintains that Phillip Evergood's painting, "Sunny Side of the Street," is an appropriate metaphor for full inclusion of students in art education. Describes a model for collaboration among students, teachers, administrators, and community members to create an inclusive art education program. (CFR)

Outlines the implementation of a collaborative project between a college visual arts program and an academic staff development unit. Asserts that the project was conducted according to a model of clinical supervision specifically modified to suit a studio environment. Includes sample student opinions about the project. (CFR)

Presents four examples of Afro-American art by Augusta Savage, Lenwood Morris, William H. Johnson, and Romare Bearden. Describes their lives and artistic objectives. Suggests study questions and art activities. (KM)

Reviews issues related to multiculturalism in art education. Contends that there is a tension between art associated with Western Civilization and art from a multicultural perspective. Concludes that art education must have separatist, integrationist, and multicultural orientations. (CFR)

Explores recent studies in anthropology, art history, and archeology on African women's art from a feminist theoretical perspective. Relates women's arts to several sociological and economic factors and suggests new avenues of exploration, especially in the face of urbanization and modernization. (CJS)