Describes a one-year high school course in applied chemistry and introductory art. Gives a course overview by art and chemistry topic. Discusses color, painting surfaces, clays and glazes, texture and line, jewelry making, photography, art history, and chemical hazards in art. (CW)

The potential of electronic media for art education is examined. Discussed are computers, video recorders, interactive video discs, and two-way cable television. Emphasis is on laser videodisc technology. What changes must occur in the educational system to accommodate technology and discipline-based art education are also discussed. (Author/RM)

Describes a year-and-a-half-long history project that involved elementary students in exploring their community's past. Students took field trips, interviewed community persons, taped oral histories, painted murals, and produced a dramatic musical based on their community's history. (RM)

The Penn State Seminar grew out of the need for quality research in art education. Art was viewed in a broad, interdisciplinary context. The Getty Institute sought to establish visual art, defined as including art history, art criticism, studio production, and aesthetic perception, as a discipline-based subject in elementary schools. (Author/RM)

This article examines the formation, structure, and program of the Public Industrial Art School of Philadelphia, Pennsylvania, and the two men who directed it during its brief existence between 1880 and 1916, Charles Godfrey Leland and J. Liberty Tadd. Special emphasis is given to the pedagogical theory articulated by Tadd. (Author/RM)

This curriculum framework represents a consensus about expectations for student learning in New Hampshire public schools in the arts. The introduction poses the framework and answers the following questions: What is the role of the arts in education? How do quality arts programs contribute to school environment? How do the arts develop workplace…

This handbook offers suggestions for educational reform in areas of student art learning, art education, and art content. After an "Introduction," which presents the philosophy and goals for reform, the document addresses the following issues: "What Is Student Art Learning?"; "How To Tell the Difference between Art as…

A milagro is a little metal pendant that symbolizes a request, a prayer, or a wish. This "Teacher's Guide" and bilingual "Student Booklet" accompany a bilingual videotape and color wall poster in a multimedia package intended to introduce students in grades 3-8 to the folk art tradition of milagros. The videotape, presented…

This book introduces preservice art educators to the power of art in creating meaning. Each chapter emphasizes different aspects of art education, identifies concepts and research, and outlines the advantages and challenges of making the suggested choices. Part 1, "Teacher as Choice Maker," includes two chapters. Chapter 1 invites…

How have "monsters" been viewed in society, what purpose do they serve, and why are they necessary? In this language-arts-based curriculum unit for grades 9-12, students explore the ways "monsters" are depicted in literature, music, and drama. According to the unit, students will: define what a monster is; read the classic…

This periodical, from Goldsmiths Association for Early Childhood (GAEC), addresses a variety of issues related to early childhood education in Great Britain. Articles included in the Spring 1996 issue are: (1) "Traditional Story Telling in the Early Years" (Fiona Collins); (2) "International Focus--Early Childhood Education…

To help communities meet the need for after-school programs, the U.S. Department of Education has instituted the 21st Century Community Learning Centers program, which supports after-school, summer, and weekend activities in neighborhood schools. This report provides an introduction to the role of the arts in those programs. Part 1 of the report…

It is the intent of this program, sponsored by Berol Canada Inc., to provide an adequate visual arts scholarship program for Canadian secondary students, bringing attention to the importance of visual arts in education and providing support, encouragement, and opportunities for the artistic development of the nation's talented youth. (Author/LC)

Considers a number of questions connected to the world of visual art that artists, art educators, and writers about art view as essential. These questions cover broad areas such as definitions and purposes, as well as, more specific concerns such as women artists and the art market. (MJP)

Responds to Charles Fowler's article, "Arts Education and the NEA: Does the National Science Foundation Point the Way?" Does not agree that the National Science Foundation's approach to education is a suitable model for arts education. Suggests replacing the National Endowment for the Arts with a Department of Cultural Resources.…