Objectives and content of an interdisciplinary social studies-art program for elementary children are discussed. A sample lesson and evaluation activities from a successfully implemented pilot program are provided. (RM)

Considers the ways in which the processes involved in learning to read are inherent in art and music experiences; discusses visual arts activities as catalysts for vocabulary development, sensory control, and close observation; and provides an overview of such music activities as folk singing as motivaters for reading. (JL)

Discusses the relevancy of visual arts programs to the development of the capacity for visual symbolizing. Explains the use of visual symbols to communicate at a very general level, to communicate accurately and specifically, and to communicate uniquely and expressively. Suggests schools not cut visual arts programs. (RC)

The author suggests that the creative artist is both inheritor of an historically determined consciousness and creator of a new consciousness. He then sketches out how social, political, economic, and psychological factors affected art and literary styles in the nineteenth and twentieth centuries. (KC)

This study extends previous work in the use of descriptive reinforcement procedures to increase productivity of new forms in artwork. Subjects were four kindergarteners who demonstrated an absence of diverse forms in their paintings. Results indicated that form diversity was improved and that the improvement lasted over time. (SJL)

This article explores the factors which account for the weaknesses of the visual arts in the social studies curriculum. Of necessity, it therefore examines social studies teachers and their training. Finally, it suggests what can be done to make aesthetic expression an integral part of instruction in social studies. (Author/SJL)

The arts program in the Attleboro, Massachusetts, public schools is an interdisciplinary attempt to communicate the basic knowledge structures used in most subjects through nonverbal visual means. An evaluative study showed Attleboro seventh graders' gains in visual concepts as significantly higher than those of traditionally taught students. (JM)

The article describes the Alabama School of Fine Arts, a public secondary school offering, in addition to basic academics, intensive training in the areas of music, dance, drama, creative writing, and visual arts to talented and motivated junior and senior high school students in Birmingham. (Author/DLS)

Two small communities in New Jersey, Peters Valley and Salem, are restoring old buildings and crafts with funds from the Comprehensive Employment and Training Act (CETA) and other public and private agencies. Activities of resident craftsmen, interns, visiting experts, and CETA workers in both communities are described. (MF)

Posters' power in academic advertising to persuade and inform is successful when message and graphics are combined. Design principles and techniques are identified: symbolism, symbiosis, substitution, sequence, scale, silhouette, script, spectrum, and simplicity. Designers should avoid: typographic fog, color confusion, excessive elements, and…

Results of this study indicate that students' attitudes toward styles of painting studied were influenced in a positive direction through use of an experimental curriculum. (RW)

Popular culture is defended as a solid academic entry that is a new approach to sociology, art, and literature. The contributions and theories of three professors are discussed: Arthur Asa Berger, Leslie Fiedler, and Alan Gowans. They illustrate the range and diversity in the pop culture field. (LBH)

Describes the use of process-folios with students who are gifted in the visual arts, for assessing student needs, identifying advanced ability, developing specific programming, and evaluating programs. Discusses factors that should be considered to ensure accurate assessment when implementing process-folios and activities for creating the…

Describes an art lesson used with fifth grade students in which they created paintings with a mother child theme. Explains that the students learned about the mother child theme in an art history context. Discusses how the students created their artworks and lists materials and resources for the project. (CMK)

Presents a lesson that uses the fold over technique to teach students about creating seascapes. Explains that students can learn how to include reflections in their artworks. Describes how students created their seascapes and provides ideas on how to use this technique to incorporate art into other subject areas. (CMK)