Describes a lesson for high school students in which they created tombstones from clay because of the distinctive surface quality as well as sculptural bas-relief effects involved in mortuary art. States that in order to motivate the class, crayon rubbings from actual headstones were taken and visuals from cemeteries were shown. (CMK)

Highlights the life of Anne Goldthwaite focusing particularly on her lithographic print entitled "Dog Baying at the Moon" and the meaning behind this artwork. Provides activities for visual arts, science, social studies, and language arts. Discusses how to make a white-line lithograph. (CMK)

Discusses the failure of a public art program in Raleigh, North Carolina in which Dale Eldred and Roberta Lord created the "Light + Time Tower." Discusses the curriculum "Art for Communities: A Teacher's Guide" that aims at teaching the role of public art and the incorporation of North Carolina's ABCs Plan. (CMK)

Presents an instructional resource for middle and high school students that focuses on artworks by the El Paso (Texas) artists Luis Jimenez, Carlos Callejo, Gaspar Enriquez, and Gloria Osuna Perez. Explains that the artwork represents the artists' personal relationship to community. Provides background information and an activity for each artwork.…

Presents a photo essay that visually narrates the workshop that took place in State College, Pennsylvania, from October 19-24, 1998 bringing together middle and high school students with Tim Rollins, who is a conceptual artist and educator, and Kids of Survival (KOS). (CMK)

Describes an art project in which fifth-grade students create abstracts and collages after exploring artwork of various artists. Explains that this project is perfect as a final activity for the school year and also helps to use up any leftover paint supplies. (CMK)

Features Elayne Goodman's mixed-media sculpture "The Goat Castle in Natchez," which is dedicated to a whodunnit murder mystery in Mississippi. Provides historical background of the murder and information on Goodman's life. Includes activities in history and social science, mathematics, science, language arts, visual arts, and economics and social…

Introduces the topic for the next Clip and Save Art Print series: unique regions of the North American continent. Includes three paintings, with background information, on this topic. Discusses the format and use of the Clip and Save Art Prints. (CMK)

Provides background information on Emily Carr, who is considered one of Canada's greatest painters. Includes a reproduction on her artwork titled "Vanquished" and presents ideas for activities. Explains that "Vanquished" reflects the collapse of the North American Indian civilization along the coast of British Columbia. (CMK)

Describes an activity for third-grade students in which they learn about early American landscape painters, specifically Frederick Church, Thomas Moran, and Albert Bierstadt. Students create natural landscapes, using the basic elements of landscape compositions. Discusses the process. (CMK)

This paper examines the effects of the playworld educational practice on the development of narrative competence in 5- to 7-year-old children. The playworld educational practice is derived from play pedagogy and the theory of narrative learning, both developed and implemented in Scandinavia. The playworld practice consists of joint adult-child…

There once was a time when art teachers flocked to university campuses in the summer to advance their education and learn new art teaching methods in hopes of becoming better teachers in succeeding semesters. This was in the days when progressive teachers, principals, and legislators recognized the value of advanced education and rewarded teachers…

This article is adapted from the Handbook of Research and Policy in Art Education. Elliot Eisner and Michael Day (eds.) [c] 2004 by Lawrence Erlbaum and Associates, Mahwah, NJ, and the National Art Education Association. To study art education is to discover and engage a field rich with achievement and promise. On one hand, this comes as no…

The author describes a lesson she did on abstract art with her high school art classes. She passed out a required step-by-step outline of the project process. She asked each of them to look at abstract art. They were to list five or six abstract artists they thought were interesting, narrow their list down to the one most personally intriguing,…

Describes an art assignment used in an oil painting class in which the students create a nonrepresentational painting using acrylic paint. Explains that the second stage of the assignment involves students in finding a face in this first painting and using oils to create the face on top of the original artwork. (CMK)