Humanists use a wide variety of textual, graphic, and aural materials in their research, each of which presents indexing challenges. Research into the nature of these materials and humanists' information-seeking behaviors indicate that indexing models from the sciences are not adequate. New controlled vocabulary and indexing frameworks are needed.…

Presents the experiences of an art teacher during the first year of teaching art to elementary students. Discusses methods of developing a creatively fulfilling art class, including how the artroom was transformed into the "Paintbrush Palace" and how the teacher became "Queen Paintbrush." (DB)

A follow-up study with 27 adults was conducted 9 years after the talented adolescents had participated in a special college summer arts program. Among conclusions were that participants were still highly self-directed and that they perceived the Johnson State (Vermont) Early College Program very positively. (DB)

Presents lesson plans for grades K-3 based on 4 well-known paintings Discusses historical background and cultural impact of the paintings. Provides student activities and assessment suggestions. (CFR)

This panel interview from the Indiana University Summer Arts Institute discusses objectives for establishing on a university campus an early-access program for high school students with exceptional talent in visual arts and science. Operational details of the Indiana University Campus Program and political issues are discussed by panel members.…

Reviews two curriculum frameworks--one developed by Elliot Eisner and Elizabeth Vallance and the second by Henry A. Giroux, Anthony N. Penna, and William F. Pinar--as a context for reconsidering conflicting notions about nature and purpose of art teaching. Discusses discipline-based art education (DBAE), suggesting that controversies over…

Argues that researchers must adopt different personas when looking for research support and when researching: one demands business skills, the other requires interpersonal skills. Discusses issues associated with identifying and securing grant money, and aspects of doing qualitative research. Suggests future problems of compatibility between…

Interview with Elliot Eisner, professor of education and art, examines his opinions on the state of the arts in today's schools, types of learning that arts promote, how arts education works in schools committed to standards and assessment, what schools risk losing if administrators cut funding for arts education, and an ideal vision of arts…

Observes that emphasis on educational accountability in visual arts has led to the acceptance of various assessment tools. Describes the format and content of existing state visual arts achievement tests and clarifies what is being done nationally in assessment through the use of state art achievement tests. (DSK)

A three-week geometry unit at a Portland (Oregon) middle school integrated mathematics, dance, and visual art. Studying the graphic art of M.C. Escher and the geometric dance patterns of the dance company Pilobolus helped students appreciate the relevance of mathematics to art and life. Students then choreographed brief dances involving geometric…

Tamarind Institute, a center for fine art lithography in Albuquerque, trains master printers from around the world, but also reaches out to work with Hispanic and Native American artists from New Mexico, to introduce young children and high school students to lithography, and to bring together indigenous people from South Africa and New Mexico's…

Proposes a lesson in which students create grand-scale sculptures of three-dimensional objects through drawing, clay modeling, armature construction, papier-mache application, and painting. Describes in detail the process of creating the sculptures from brainstorming and drawing different ideas to painting the sculptures. (CMK)

Discusses an activity in which students in an after-school art class drew one another on pieces of 2-by-4 scrap lumber in order to create a class portrait in three dimensions. Stresses that the portraits on the wood blocks were done in-the-round, or each side was covered. (CMK)

Describes an activity in which fourth grade students created a three-dimensional representation of Vincent Van Gogh's room in Arles (France). Expounds that the students had to invent their own strategies for three-dimensional construction and two-dimensional embellishment. Provides directions for creating the room and bed. (CMK)

Describes an assignment that requires students to develop an original concept for their artwork where they utilize mixed media and repetition within their drawing as a starting point. Explains that students learn about principles of design and the frequency of repetition to satisfy compositional needs. (CMK)