Describes a "Visual Arts Day" held in an elementary school in Kutztown, Pennsylvania. Art students from Kutztown University create an in-school field trip by coming to the school to display, demonstrate, and discuss their art work. Points out the possibilities for positive dialogue concerning the purposes of art. (KO)

Identifies the distinct paradigms concerned with the teaching of craft and the teaching of design, two elements which are interdependent in an art course. Reports teaching experiments that encourage pupils to seek out visual analogies of shapes and shape-relationships. Advocates the incorporation of guided concepts into pupils' techniques. (KO)

Presents the architecture of public buildings through a set of four lessons. (S. Talbot-Stanaway and Elizabeth Hornor). The lessons teach about the Oshkosh Grand Opera House in Oshkosh, Wisconsin; the Clayton County Library in Jonesboro, Georgia; the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania; and the National Gallery of…

Shows how a teacher used paintings as a basis for writing exercises designed to teach students about the subjectivity of interpretation and the importance of visual imagery. Describes a number of specific writing assignments and classroom activities involving description, interpretation, drawing, poetry, and research papers. (TB)

Examination of traits and life experiences of 21 eminent women in the visual arts found that, as children, artists were creative, versatile, vital, energetic, sensitive, and enjoyed their work. Early achievement predicted later accomplishments and early intensive concentration in one's field, often to the near exclusion of other activities, was…

Describes the nature of intellectual access to digitized art images using qualitative methodologies based on a study at the University of Central Florida. Queries of art historians are analyzed and compared to retrieval parameters and image characteristics, and implications for database design are suggested. (Author/LRW)

Examines procedures derived from ordinary-language philosophy to help students learn to investigate conceptual issues in art. Sets out and analyzes three procedures relative to art education and makes suggestions for further research. Maintains that the principles and proficiencies in philosophical inquiry can be introduced and reinforced in all…

Describes the design, development, and implementation of an educational media technology course at Miami University (Ohio) for preservice teachers. The four modules that comprise the course are described: (1) computer, (2) film/video, (3) information skills, and (4) photography/graphics. Results of course evaluations are also discussed. (13…

Argues that drawing in art is a visual, intellectual, and emotional act. Provides suggestions for helping students understand these three perceptions. Discusses the impact on curriculum design in art education. (CFR)

Examines the need for and the feasibility of a visual arts degree through distance education based on experiences at the University of Southern Queensland (Australia). Highlights include a theoretical background and a survey of art educators that addressed methods of instruction, feedback, face-to-face contact, and assessment. (Contains 20…

Discusses an apparent case of censorship via card catalog indexing in a Florentine research library. The challenge to the authenticity of a fresco by Simone Martini is explained, the ethics of collegiality are considered, and attempts to find redress through various library associations are recounted. (18 references) (LRW)

Offers practical advice for teaching art in early childhood classrooms. Encourages respect for children's individual artistic style. Discusses paints and markers, blocks, fingerpaints, bubbles, collages, and other art materials. Includes recipes for fingerpaint. (GH)

Explores feminist pedagogy's liberating relevance to the theory and practice of contemporary art education, on the premise that feminism can ameliorate the marginal statuses of women, art, and education. Discusses feminism's impact on education, feminist pedagogy as an alternative instructional model with its emphasis in collaboration,…

This panel interview from the Indiana University Summer Arts Institute finds Enid Zimmerman and Gilbert Clark reporting on their recent research about screening and educating artistically talented students. The role of prepared portfolios in student evaluation is discussed and commentary from other members of the panel included. (PB)

This discussion from the Indiana University Summer Arts Institute finds panelists considering screening methods for arts students, including portfolio preparation, site-specific creation of art work, and batteries of tests and tasks. Procedures used at the Israel academy, developmental processes in creative students, and differences in student…