Discusses a small group of picture books that display two of Quentin Blake's great strengths: (1) the inventiveness of his concept and design; and (2) the representation of his own view that a children's book can be a place where adults and children meet on equal footing. (NH)

Argues that students should be competent in creating original art on the computer. Presents a lesson using "ClarisWorks" for the Macintosh computer that asks student to create original portrayals of a landmark in a cubist style. Profiles the work of Marc Chagall and his contributions to cubism. (DSK)

Observes that Western traditions of artistic realism create problems in school art programs, as students tend to equate realism with quality. Argues that the use of sculpture from other cultures or from contemporary Western artists who do not employ the realist idiom can help move students away from this bias. (DSK)

Encourages students to slow down and to reflect upon what they had read. Focuses on the visual arts, particularly for their capacity to help move students from the concrete to the abstract. Notes that Lowry's (1993) novel "The Giver" particularly lent itself to this approach because its powerful visual imagery encourages readers to return to and…

Considers the role of visual literacy in the reading experience. Discusses an assumption among readers, publishers, and many educators that the visual elements in a text may be safely ignored, marginalized, or simply edited out. Argues for the important role of visual arts in literature. (SC)

John Singleton Copley was virtually self-taught yet became the greatest painter in eighteenth-century America. By the age of eighteen he had become a highly sought portrait painter. His paintings held a good likeness and a pleasing reflection of his sitters' wealth and social aspirations. Copley's dazzling technique and his knowledge of the latest…

Proponents of expanding art education to address visual culture sometimes mean by this no more than the idea that unconventional kinds of imagery may productively be treated as art. Sometimes, however, the goal is to replace the appreciative and interpretive stances that are conventional in teaching and learning about art with a polemical…

This brief article describes how a Anne Young taught her students to make a monoprint out of a coffee filter. A monoprint is a one-of-a-kind picture. This lesson taught students to use art materials and tools in a safe and responsible manner.

In this article, the author relates how he and his class outlined a plan for a public artwork project to be displayed in their community. The author discusses how he asked his students during the course of making the project to reflect on the following: (1) Who am I?; (2) Who are middle-school students?; and (3) What does collaboration look like?…

In this article, the author describes a classroom lesson relating to still life and the artist, Ralph Goings. While students painted, they discussed about how Ralph Goings shows that everyday, household items can be visually appealing. To give everyday objects a new, unintended purpose is a powerful way to rediscover the world. In younger…

In this article, the author describes one classroom's experience engaging in a lesson on aboriginal painting. Aboriginal painting has a particular allure to middle school students. As this age group crosses the threshold from concrete knowing to conceptual understanding, they are ready to re-frame their perspective of the artist's intent. Learning…

In this article, the author relates how she has developed an acute sensitivity to the nuances of movement through her sojourns in the beach. The author shares that the beach became her "determining ground" for her aesthetic experiences. As an artist, her artworks explore the many patterns and textures found through her attentiveness to landscapes.…

Perhaps no twentieth-century philosopher was as favorably inclined towards the role of aesthetic experience in building a democratic culture as was John Dewey, the preeminent public intellectual in America during the first half of the twentieth century. His vision of democracy necessitated a robust commitment not only to an open-ended process of…

This report recounts the findings of a study of people who purchased "Looking into Painting" materials, a learning package developed by the Personal and Cultural Education (PACE) Sector of the Continuing Education area in England's Open University. The package is not part of any course of study leading to a qualification, and there is no…

This resource guide is intended to provide information on films, videotapes, filmstrips, audio-cassettes, and other related materials that can be used as teaching aids to support and enhance the high school art curriculum. The guide provides titles, the format(s) in which material is presented, the source of the material, and a short description…