Substitutes "science attentive" for "cultural literacy" in science education, urging that students (1) have an interest in basic science, (2) know basic science, and (3) be able to deepen such interest and knowledge on their own. Outlines four cluster goals for science teaching from Project Synthesis of 1979-81. (NH)

Reports on a study that analyzed students' chain of music decisions from problem perception to problem solution. Found that highly involved problem solvers explored and organized sound for its musical expressiveness, while uninvolved problem solvers rarely based their decisions on musical concerns. Concludes with implications for music teaching.…

Fundamental characteristics of good leadership are described. They include: a sense of purpose, careful listening, a focus on people, good communication, and creativity and taking time for one's own projects--the formation of ideas that are intellectually renewing. (MLW)

Investigates the effect of parental separation on the divergent thinking abilities and creativity potential of 116 single- and two-parent family children in grades three through five. Findings indicate a comparable level of divergent thinking between both groups; single-parent children scored significantly higher on creativity potential.…

The College Studies for the Gifted Program at Fort Hays (Kansas) State University provides academically advanced educational opportunities for gifted/talented/creative secondary students. The program has flexible entrance requirements, provides accelerated coursework for students in rural areas, and is cost-effective for school districts.…

Discusses the problem of creativity in physics education, focusing on A-level (advanced level) and bachelor of education students. Reviews results indicating low performance in creativity tests by the two groups and suggests that many educational institutions are not enhancing the development of natural talent. (LS)

The Schmerenbeck Multi-Racial Educational Centre (South Africa) implemented "Integrated Arts Workshops" to develop the creative thinking of gifted/talented children. Professional artists and teachers are brought together with groups of children, and ideas are explored through sensory stimulation, creative problem-solving, and reflection.…

Three arts educators comment on the relationships among skills, knowledge, and creativity in the arts curriculum. Charles H. Ball states that these elements should be balanced in the curriculum. Eunice Boardman suggests that adequate statement of curricular goals does away with the need for balancing. Karen A. Hamblen notes that the three elements…

A review of the research on dramatic play indicates that it provides personal expression and catharsis of inner desires; helps the child to distinguish between reality and fantasy; provides for children's social adaptation; provides a dynamic for learning; and enhances creativity through interaction, transformation, and imagination. (TJQ)

This article proposes that more leadership is needed in the scientific community to combat inertia in research and education and for progress in higher education and scientific research to occur. This means using new techniques, designing funding mechanisms that promote more adventuresome research, and supporting the independence of creative young…

Testing and observation of 25 highly creative, intellectually gifted students and nearly 100 highly creative, non-intellectually gifted students participating in secondary and undergraduate theater arts programs revealed similarities and differences between the two groups in terms of acting technique, rehearsal technique, relationship to play…

Sixty kindergarten children were studied to determine the effect of age and sex on creativity. No significant difference was found between the girls' and boys' creativity scores, but, as expected, the 6-year olds scored higher than the 5-year olds. Recommends providing opportunities for creative activity for children at home and school. (TJQ)

Presents three teacher-preschooler scenarios illustrating teacher actions that hinder creativity and social development. Discusses the connection between psychosocial and creative development in light of Erik Erikson's eight stages of psychosocial development. Suggests that teachers need to be flexible, consider children's feelings, foster…

Provides classroom examples of appropriate methods for extending art understanding through discussion. Suggests that teachers can easily foster art appreciation through nondirective means; the children can then select what is important to them and thereby begin to build their own personal store of imagery, which can lead to enhanced learning in…

The creative development of Maria, Elizabeth, Charlotte, Patrick Branwell, Emily Jane, and Anne Bronte in England during the early 1800s is analyzed, with attention to the role of the parents, collaborative siblings, and the natural environment in supporting their talent. The education of the Brontes and the "little books" they wrote as…