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Sindberg, Laura Kautz – Music Educators Journal, 1998
Relates the founding of the Wisconsin Comprehensive Musicianship through Performance (CMP) Project and addresses comprehensive musicianship. Describes the five parts (selection, outcomes, strategies, analysis, and assessment) of the Wisconsin CMP model. Provides an example of how the model works for a specific composition. (CMK)
Descriptors: Educational Practices, Educational Strategies, Elementary Secondary Education, Instructional Development
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Pitts, Stephanie E. – Arts Education Policy Review, 1998
Proposes to explore some of the origins of ideas that form the "official" music curriculum in England and suggests ways in which the impetus for development can be sustained. Believes that historical research in music education is central to illuminating the difficulties and strengths of current practice. (CMK)
Descriptors: Applied Music, Cultural Background, Educational History, Educational Policy
Bitz, Michael – Teaching Music, 1998
Suggests choral teachers use rap music to promote student interest and to teach music basics, such as rhythm, pitch, harmony, and timbre. Maintains that students can write the arrangements allowing them to gain experience in notating. Identifies selected recordings and offers an example of how to use rap music. (CMK)
Descriptors: Choral Music, Concerts, Group Experience, Harmony (Music)
James, Lorinda – Teaching Music, 1998
Discusses the action research conducted on whether the use of conducting patterns will not only help students understand meter, but also assist them in grasping certain expressive qualities of music. Finds that the posttest showed a 10 percent gain overall in the understanding of meter, tempo, dynamics, and style. (CMK)
Descriptors: Action Research, Educational Research, Grade 3, Music Activities
Armstrong, Sara; Warlick, David – Technology & Learning, 2004
This article focuses on the challenge of educators in keeping up with an information environment that has changed dramatically in the past 10 years. Thus, it is crucial that when teaching literacy to students, educators emphasize skills that reflect the information environment of the present, not the past. With the information age comes a whole…
Descriptors: Multimedia Instruction, Information Skills, Computer Uses in Education, Computer Literacy
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Seddon, Frederick A.; O'Neill, Susan A. – Psychology of Music, 2006
This study examined 48 computer-based compositions produced by adolescents (13-14 years old) using evaluations by specialist music teachers and the adolescents' self-evaluations and self-assessments. Based on previous research (Seddon and O'Neill, 2001), we expected that the teachers' evaluations of the compositions would not differentiate between…
Descriptors: Music Education, Music, Adolescents, Music Teachers
Smithsonian Institution, Washington, DC. Center for Folklife Programs and Cultural Studies. – 1992
Developed as part of an educational kit that includes a four-part videotape, maps, photographs, and audio tapes, this guide gives teacher preparation information, objectives, teaching strategies, and student activities for each of 3 lessons in 4 units: Unit 1, "Introduction to Folklife," presents a definition in lesson 1, "What is…
Descriptors: Bands (Music), Cultural Education, Dance, Folk Culture
Loving, Bill – 1993
Multimedia presentations offer educators and other communicators new avenues to reach audiences, but they combine a variety of legal hazards. Producers of multimedia can end up on the receiving end of lawsuits based on the many facets of copyright, privacy, and defamation law, as this guide illustrates. Copyright gives authors, composers,…
Descriptors: Art, Authors, Copyrights, Court Litigation
Oregon State Dept. of Education, Salem. – 1990
Oregon's common curriculum goals for music education, an area of study that addresses the components of valuing music, developing music literacy, performing music, and creating music are presented. An overall goal for each one of these four strands is established, and then the content specific knowledge and skills that students should possess by…
Descriptors: Curriculum Development, Elementary Secondary Education, Minimum Competencies, Music Activities
Baker, Michael – 1988
The design of an Intelligent Tutoring System (ITS) in a knowledge domain where expertise is modeled as a set of uncertain and incomplete beliefs that are justifiable and expressible in the form of a critical argument is outlined. Issues concerning knowledge communication in a tutorial interaction are discussed with reference to a cognitive model…
Descriptors: Artificial Intelligence, Cognitive Processes, Computer Assisted Instruction, Computer Uses in Education
Montgomery County Public Schools, Rockville, MD. Dept. of Instructional Planning and Development. – 1979
Educational objectives and brief course descriptions are presented for music education, grades 9-12, Montgomery County Public Schools, Rockville, Maryland. The program, divided into general, choral, and instrumental categories, stresses refining cognitive perception, developing creative potential, and heightening aesthetic sensitivity.…
Descriptors: Aesthetic Education, Bands (Music), Choral Music, Course Descriptions
Ridgewood Public Schools, NJ. – 1968
To enhance school children's understanding of and appreciation for the performing arts, an ESEA Title III project presented live performances by professional brass, woodwind, and string ensembles to children of the 275 public and parochial elementary schools of Bergen County, New Jersey. As part of the program, children read a book especially…
Descriptors: Bands (Music), Concerts, Cultural Enrichment, Elementary Education
Baker, David N. – 1972
Examination of lyrics of the blues and jazz forms of black music indicates their importance as communication. Contemporary styles can be divided into five overlapping categories: (1) "mainstream," the post-"bebop" style and soul jazz; (2) jazz influenced by other ethnic music; (3) the avant-garde jazz, which is often…
Descriptors: Applied Music, Black Attitudes, Black Culture, Black Studies
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Duke, Charles R. – Journal of Reading, 1987
Encourages the use of integrated prereading, prewriting, and critical thinking activities in music classes to help students appreciate and understand the process of musical composition. Discusses using freewriting, journal writing, directed reading, and extended activities in music appreciation, performance, and composition classes. (SKC)
Descriptors: Critical Thinking, Free Writing, Integrated Curriculum, Listening Skills
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Gleason, Bruce – Music Educators Journal, 1996
Finds a number of Beethoven's military marches in contemporary arrangements. Although greatly revered for his classical music, Beethoven composed a variety of excellent marches. Usually penned for a specific historic occasion, they fit well into interdisciplinary study units and add variety and color to local music programs. (MJP)
Descriptors: Bands (Music), Curriculum Enrichment, Instructional Innovation, Instrumentation and Orchestration
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