A study examined the impact of song writing, dramatization, and performance on third graders' ability to learn and retain social studies concepts. Students (n=18) were taught a unit on natural land forms and bodies of water in which they dramatized and performed songs which incorporated the main ideas of each unit. Upon completion of each unit,…

Describes an interactive computer game in which players compose music at a computer screen. They experiment with pitch and melodic shape and the effects of transposition, augmentation, diminution, retrograde, and inversion. The user interface is simple enough for children to use and powerful enough for composers to work with. (EAO)

With the help of the music, physical education, and art teachers, two third-grade classes wrote, scored, and produced an original operetta in a five-month interdisciplinary classroom project. The process is outlined and recommended by the authors for almost any grade level. (SJL)

Discusses how music teachers can begin a gospel choir at the middle school through university levels. Provides a historical background on gospel choirs and presents the benefits of having a gospel choir. Focuses on issues teachers should address, how to teach this type of choir, and common misconceptions. (CMK)

Describes a unit used with sixth-grade students focusing on jazz and blues that taught improvisation. Discusses the different levels of improvisation that were used, providing the beginning activities, and describes activities that focus on the third level of improvisation called product-oriented improvisation. (CMK)

Discusses improvisation as a phenomenon. Offers suggestions for a learning sequence. Warns against allowing students to skip levels. Identifies developmental levels of improvisation as exploration, process-oriented, product-oriented, fluid, structural, stylistic, and personal improvisation. Urges that improvisation can and should be a meaningful…

Discusses how to teach improvisation to younger students by utilizing genres other than jazz, such as bluegrass, blues, ska, reggae, rap, klezmer, and rock. Describes each of these genres and gives a sequence of six steps to help music teachers organize classroom improvisation. (CMK)

Examines compositional strategies and musical creativity of 38 seventh-grade students in junior high schools in Seoul (Korea) when composing with staff notations (traditional group) versus graphic notations (non-traditional group). Finds that musical creativity levels were judged to be significantly higher in the non-traditional compositions. (CMK)

States that sequencing and printing software eliminates the barriers to students composing music. Describes "Master Tracks Pro," a sequencing program, and "Rhapsody," a printing program. Includes a lesson plan for setting pentatonic music to a poem. (CMK)

Describes an activity designed to develop middle school choral students' writing skills: students wrote letters to the composers or arrangers of pieces they had performed at concerts; the students could address topics such as their reaction to the piece, general questions about composing, or discussing the performance of the piece. (CMK)

Explores whether the tsumari phenomenon appears in the performance of keyboard instruments and maintains that tsumari will be severe among subjects with little music training. Finds that tsumari was seen most conspicuously in this beginner group. Concludes that the structural arrangement of the music plays an important role in the tsumari…

Compares the effects of explicit training in classical and romantic styles, the relevance of four musical dimensions, and the congruence of categorizations with predictions of exemplar- or prototype-theories of concept formation. Explains that subjects in both the exemplar and prototype groups relied on independently abstracted cues rather than…

Maintains that visually enhanced musical performances provide an exciting and creative aspect of musical production. Explains that the conductor should choose a musical selection that offers concrete visual opportunities, focus on visual images, choose video excerpts, and use dance if possible. Finds that many visual techniques used by marching…

Understanding how students make music in non-school settings can inform teaching practice in schools, making teaching more relevant to students' musical perspectives. This research study examined the musical processes of a three-member rock band, their roles within the group, and considered how they constructed musical meaning. The most salient…

This article describes Elder's Wisdom, Children's Song (EWCS), an innovative community arts initiative wherein Minnesota youth and elders turn life histories into song. According to the project's founder, Minneapolis-based singer-songwriter Larry Long, the interdisciplinary and intergenerational effort seeks to "honor elders, educate students…