A study involving 261 composers, 108 inventors, 392 NFL wide receivers, and 112 eminent inventors found that eminent individuals exhibit a greater rate of creative outputs and that the production of outputs deviates from randomness no more than would be expected from chance fluctuation alone, except for some eminent individuals. (Contains…

States that creating "authentic" world music arrangements that are faithful to indigenous performances provides a means for teaching instrumental students about the sounds of other cultures. Discusses how to choose a piece of world music, how to transcribe a performance, and how to develop the arrangement. Addresses additional instructional…

Investigates the perceptions of selected college music faculty on multicultural music education, focusing on such issues as a definition of multicultural music education, whether or not it would benefit from hiring minority faculty, and its benefits and problems. (CMK)

Explains that there are five components for achieving the ideal band tone (balance, blend, acoustics, sonority, and chord voicing). Presents information on each component. Provides seven suggestions helpful in developing band tone, such as explain and establish goals for the band's tone, practice for tone, and choose music to optimize tone. (CMK)

Describes a project in which band students rehearsing Anne McGinty's "Atlantis" explored the city by building a model. Explains that students worked in groups as researchers, poetry and story writers, designers of the city, builders of the city model, and thinkers charged with generating ideas. (CMK)

Provides a strategy, from the book "Strategies for Teaching Specialized Ensembles," that addresses Standard 9A of the National Standards for Music Education. Explains that students will identify and describe the musical and historical characteristics of the classical era in music they perform and in audio examples. (CMK)

Discusses how the outgrowth of the praxial philosophy in music education is misunderstood and has led to a lack of informed dialogue on the differences between praxis and philosophical bases for music education. Presents an interpretation of Aristotle's idea of praxis and considers praxis in terms of implications for music education. (CMK)

Compares a singing approach to a nonsinging approach in an elementary directed listening program to determine whether there was a significant difference in aural thematic recognition and thematic preferences between groups. Indicates that subjects who sang thematic material had a higher aural recall rate and finds no difference with regard to…

Offers an interview with Sir David Wilcocks, an organist, conductor, and music educator, in which he discusses different organs, what influenced him to become a musician, his experience of teaching a boy's choir, the characteristics of a great ensemble, musical compositions, his "Glories of Shakespeare" collection, and the importance of…

Discusses how music educators can address Content Standard 6 of the National Standards for Music Education that concentrates on teaching students to listen, analyze, and describe music. Provides six approaches that help students access new pieces of music through listening, such as responding enactively to musical cues and focusing on cultural…

Explores the factors that may influence the decisions made by students aged 9-15 years old as they chose musical sounds and constructed compositions. Indicates that age, formal music training, and aesthetic response to musical sounds are the primary factors affecting specific choices made in the compositional process. (CMK)

Discusses the role of peer interaction in the music classroom through the observations of how sixth-grade students accomplish the "Canon no. 40" improvisation and composition assignment. Concludes that peer interaction was a key element in the students' learning and provides the lesson plan for "Canon no. 40." (CMK)

Contains abstracts of the papers that were presented at the Cognitive Processes of Children Engaged in Musical Activity Conference (Champaign-Urbana, IL, June 3-5, 1999). Covers topics such as children's melodic improvisations, toddlers' kinesthetic reactions to music, mother-infant play, a theory of multiple musical intelligences, and reflective…

Draws on six instances in which students were engaged in improvisational musical composition with peers and/or a teacher in music classroom settings. Offers an analysis of the creative process and product. Discusses the findings and the role of shared understanding in empowering independent musical thinking. (CMK)

There are two issues that struck the author, Jason Helfer, as essential from his consideration of Miralis' paper and the ideas of Manos Hadjidakis: Eros as a pedagogical idea and learner interactions in the music classroom. These ideas developed from his interpretation of Miralis' paper, from his experiences in teacher training, and teaching in…