Addressed a need for enlargement of music when retirement home residents were deprived of a self-fulfillment opportunity from choir activities due to failing eyesight. A photographic process yielded the needed feasible large reproductions. Innovative application of this technique affords wide-ranging potential for positive benefit beyond music…

The licensing for public performance of copyrighted musical compositions by a performing rights society to the television industry is examined. Focus is on the antitrust problems of the American Society of Composers, Authors and Publishers (ASCAP) and the most recent litigation, CBS vs ASCAP. (JMD)

Discusses how to teach students about the music of Richard Rodgers in an effort to educate them about music in the twentieth century. Explores his work over the years, particularly in association with other composers. Includes a collection of resources and a lesson plan that focuses on "The Carousel Waltz." (CMK)

Describes a strategy called phone-ominal composition for teaching students in fifth through twelve grades about jazz and musical composition. Explains that the students use their phone number to create the composition. Provides examples of this technique and guidelines. (CMK)

Discusses the importance of developing second grade student listening, singing, and composing skills. Explores the second-grade singing apprenticeship where students can sing alone, as a group, or listen to other groups. Focuses on teaching singing skills and allowing students to experiment with music. (CMK)

Examines the reliability of consensual assessment, where experts rate creative products. Focuses on musical compositions by fourth and fifth grade students. Addresses the reliability of certain types of judges using this method (composers, music teachers, theorists, seventh-grade children, and second-grade children). (CMK)

Maintains that commissioning musical works is almost as old as music itself and that it is a privilege to premiere a work that has been composed specifically for you and your chorus. Describes the approaches that classroom music teachers used to commission musical works. Includes seven guidelines. (CFR)

Twenty-two second grade children created musical compositions on an Orff xylophone during an eight-week period and produced accompanying written scores. Analysis showed that, over the period, children improved pattern recognition and increased use of melodic motives, and that writing the score did not inhibit the creative process. (JDD)

Teachers of children with visual impairments are encouraged to create their own useful and age-appropriate songs to help teach orientation and mobility skills to children in preschool to grade three. The songs can be created by writing new lyrics to well-known tunes or by writing new lyrics and melodies. (DB)

Suggests methods for music teachers to use in helping at-risk students gain confidence in electronic music composition class. Recommends that at-risk students be given leadership roles and worked with on an individual basis. Emphasizes maintaining a supportive, nonthreatening, and creative classroom environment where students can feel positive and…

Analyzes John Corigliano's "Symphony No. 1" to explicate its communicative value for the AIDS crisis. Contends that music without lyrics can serve as an argument by functioning as a form of enthymeme. Discusses enthymeme's relevance to music, identifies the premises established in Corigliano's work and analyzes how they are developed in…

Focuses on the connections among the concepts of virtuosity, performance, and knowledge. Defines a virtuoso performance and the two different types of virtuoso performers. Considers to whom the label "virtuoso" should or should not apply and limits its literal application to performers who participate in the interpretive realization of art works.…

Describes how the string orchestra students of Natchitoches Central High School in Natchitoches (Louisiana) and their director commissioned the composer Jody Nagel to write a composition dedicated to their ensemble in order to increase the students' understanding of composition. Discusses student reaction to the project and use of discipline-based…

Discusses the changes in musical experiences, such as live versus recorded music, as society has developed technologically. Presents a crossword puzzle that focuses on the traditions and musicians of baroque, classical, and romantic music each originating in Europe. Includes the clues and word list. (CMK)

A look at the history of music education in American colleges and universities indicates its late development. Suggestions for enhancing the nation's musical life include viewing composition, performance, and listening as integrated processes; developing a broader focus for music specialists; and paying more attention to musical literacy in the…