Contrasts the value of children's creative works with those of author's childhood. Maintains that Montessori classrooms and methods exhibit the value of attention or mindfulness of children's work. Asserts that when teachers teach from this attitude, the learning and work that flow from it are imbued with worth; the result is a clear channel…

This article reviews international studies from the 1940s to the 1970s concerning drugs and creativity. The notion of drugs "dictating" or "liberating" the intoxicated artist is criticized by discussing the importance of set and setting. It is proposed that intentional drug use can be seen as a form of disinhibiting technique.…

Uses different illustrations with simple line drawings in the word "QUIZ" as clues for students prior to taking tests. (YDS)

A hands-on group of seventh graders in technology education (n=29) used Legos and another group (n=29) used Gryphon Bricks simulation software for problem solving. Analysis of teacher ratings of solutions revealed no differences in creativity, originality, or usefulness of the products. (Contains 34 references.) (SK)

This article updates information about the Torrance Tests of Creative Thinking (TTCT) by reporting on predictive validity data from the most recent data collection point in Torrance's longitudinal studies. First, we outline the background of the tests and changes in scoring over the years. Then, we detail the results of the analyses of the 40-year…

There are some commonalities among the successful leaders in education technology. They tend to be flexible and a little disrespectful of the status quo. They take risks, but they also know the politics of the situation and know how the game is played. Timing in leadership is as important as the ideas being proposed. One cannot always anticipate…

If John Henry Newman were to publish a blueprint for liberal education here in the United States and now in the twenty-first century, what would he call it? Many aspects of higher education have changed since 1852, the date of his "Idea of a University," and the U.S. is not Britain. In this essay, the author contends that Newman's work still…

In this era of high-stakes testing, many teachers feel forced to aim instruction toward what will be assessed and ignore what students really want to learn. Publishers create materials guaranteed to boost students' test scores, but they neither broaden students' understanding nor increase their interest in learning. When the textbook becomes the…

The study of informal musical learning outside institutional settings, such as schools, has proved to contribute important knowledge to aspects of music education. Hip-hop, as an example of informal musical learning, has so far been quite an unexplored field for research. The present study investigates music creation within two hip-hop groups (…

The article presents lessons for teaching composition in elementary general music classes. Students will be more successful in composition activities if a teacher allows time for multiple encounters with composition activities, encourages student experimentation, guides the class through composition experiences, provides constant encouragement,…

Instead of the traditional view of learning as acquiring cognitive knowledge or data, the author argues for a broader notion of knowledge that includes emotions, values, intuition, and creativity.

Students are often taught subject matter in college in a way that emphasizes memorizing material. At least as important as memorizing is thinking critically, but at least as important as thinking critically is thinking creatively. This article presents 10 tips for how to guide students to think creatively. It is based on the notion that,…

In these times when educational standards, assessment, and evaluation of core subjects seem to dominate the public school agenda including early childhood, the challenge for educators to provide essential art experiences for children is daunting. Examinations of the greater educational value of art media can reveal some answers. Knowing how…

This article is based on nearly 25 years of working with and studying folk art and folk artists. While certified art educators and their university teachers may think they are inclusive in their understandings about art and learning processes, generally speaking, they are either unaware or tend to ignore folk artists' ways of understanding the…

Teacher training "educators," who still examine the world in terms of what they learned about it in college 25 years ago, may look up one day and not recognize their world at all. Therefore, present educational research needs to be presented not as an end in itself but as a guide for working in the schools of the future. In this article, the…