After viewing and discussing slides of Van Gogh's and Munch's paintings and studying the principles of color, middle school students had to execute two drawings, one showing any emotion and the second depicting an expressionistic self-portrait. (RM)

The purpose of this study is to investigate the interaction of biological unfolding and culturally related factors on sequences of narrative figure drawings by American and Egyptian elementary students. Findings support hypotheses relating to the interaction of natural and nurtural influences on children's drawings. (Author/SJL)

Describes an activity in which eighth graders explored color relationships in art. Students selected their favorite pieces of art work, redrew and redesigned the artists' composition, and then painted them using completely different color schemes. Student confidence in their own artistic judgment and capabilities increased. (AM)

The authors present an art teaching idea which extends the graphic discussion method described in the October 1981 issue. Rather than drawing together, the two participants respond in writing to each other's completed work, which provides an essential aspect of art learning--responding to another artist's images. (SJL)

From this study of kindergarten children, the author concludes that drawing should be recognized as an important educational activity that helps children to learn and remember the visual characteristics of the figures they draw, and that it does so more effectively than does mere observation or tracing of those figures. (Author/SJL)

After 15 lessons on clay modeling skills, modeled and drawn human figures by 41 nursery school children were compared to those by control children on formal elements, structure, and detail. The instructional experience significantly improved subjects' clay figure work. No significant sex effect or skill transfer to drawing was found. (SJL)

Section One of this article reviews extant theories of children's art. Section Two outlines evaluative criteria based on developmental approaches: degree of representational detail, expressiveness, and representational accuracy. Section Three explores the theoretical support for alternative standards for evaluating children's drawings. (SJL)

Investigates the characteristics and quality of the image children have of aged persons and their grandparents. Children's drawings were compared for old age characteristics and deficits. Analysis of variance on sex, age, kinship with the stimulus person and sex of stimulus person was conducted. (Author/RH)

The article explains the Grunes interview procedure, in which drawings of people significant to the interviewee are used, along with a series of 91 questions which all begin "Which one...", to facilitate conventional diagnostic interviews with children who cannot communicate verbally. (PHR)

Describes a project for fifth-grade students in which each student makes a very personalized creation. (Author/RK)

This article discusses the use of children's drawings in tests such as the Child-At-School Drawing as diagnostic indicators. Literature on this subject as well as a description of the stages children go through in drawing are presented. (Author)

Traces the influence of visionary and perceptual schemas in discussions of child art in psychology, education, and art history. Considers recent accounts of artistic achievements of autistic children and views that young children can draw in perspective. Argues that Luquet has been misinterpreted; he was beginning to define a new theoretical space…