Describes an art project used with eleventh-grade students called, "Close to Mosaic Drawings." Explains that the students learned about Chuck Close and Robert Silvers. States that the students selected a photograph to use in the project and discusses in detail how they created their artworks. (CMK)

Describes an art project in which students created close-up drawings of animals. Explains that they located photographs of animals, enlarged them with a copier, and completed research on the animals. States that the students used oversized black and white scratchboard. (CMK)

Describes two art projects that use "gadgets" objects, such as used-up pens, empty thread spools, and cardboard strips. Explains that in these projects, "Gadget Print Fish" and "Imprinted Clay Fish, students use gadgets to make designs for creating paper fish and clay fish. (CMK)

Describes an art project used with students in a beginning drawing class in which they created self-portraits. Explains that the students were also to select geographic areas that identified their ancestry, such as a country or part of the United States. (CMK)

Describes an art activity where children create imaginary character sculptures using clay. Discusses how the students created their creatures after first drawing their ideas and then painting their sculptures. (CMK)

Discusses a visual case processing method using metaphors and drawings as a holistic and creative way of conceptualizing and presenting cases in counseling supervision sessions. Presents specific guidelines for metaphor-based visual case processing and drawing to illustrate the procedure and provide examples of counselor trainees' reactions to the…

Presents case studies of two children of four and five years who had experienced sexual abuse. Discusses the significance of their drawings in relation to the uncovering and treating of the trauma of sexual abuse. (RJC)

Uses the children's book, "The Rajah's Rice: A Mathematical Folktale from India," as the basis for grade-four activities involving doubling and powers of two. (MKR)

Evaluated the effectiveness of a drawing program called "negotiated drawing" with children aged 5-7 years. Compared drawings of children using this program with those of children given normal drawing lessons. All the children improved their drawings, but the children using the negotiated drawing program improved more than the children…

Investigates differences in children's concepts of death as reflected in their drawings in terms of gender and age differences. Four age groups of children (n=431) were asked to draw their impression of the word death and to give a verbal commentary. Analysis of the drawings indicated that conceptual categories were found to be both age and gender…

Analyzed drawing and writing of 60 Chinese boys and girls of 2 to 6 years. Children drew self-portraits and wrote their own name. There was an age effect in both tasks. Children as young as three years could differentiate drawing from writing. (MM)

The assignment of listening tasks for students to do while listening to conversational English tapes in a Japanese language lab is described. Students are instructed to create their own visuals. Sample activities and procedures are outlined. (Contains 13 references.) (LB)

Investigates whether students are using a process approach to writing by examining pictures drawn by first year college students illustrating their procedures for writing a paper for school. Discusses various aspects revealed in the drawings. Finds that a process approach is scarcely apparent. (SR)

Discusses the techniques used by an author and illustrator of children's books in visits to elementary school classrooms. The techniques use humor in the form of words that have great sounds but do not necessarily mean anything to encourage children to write and illustrate their work. (BB)

In an eight-week project, an award-winning children's book author and illustrator helped third grade students create impressive artwork. Children worked in pairs to create collaborative drawings, and they gained confidence in their artistic abilities over time. The project developed strategies for use by classroom teachers. (SM)