Discusses Kellogg's four distinguishable stages of children's early art development as reflected in scribble art. (MP)

Investigates the effects of medium, task, and instruction on the child's representation of the human figure, the origins and course of development of the child's representational effort, and the effects of socioeconomic status (SES), intelligence, age, sex, and mental retardation on the representation of the human figure. (Author/RK)

The experiment assessed the effect of ordinary school art instruction in human figure drawing on scores of the Goodenough-Harris Drawing Test. Subjects consisted of 44 fifth-grade students. No differences were found in the control group between pretest and posttests. The treatment group showed significant gains on both posttests. (Author)

Authors see the provision of an "aesthetic atmosphere" as one of their greatest challenges. One is an art specialist and the other is a principal. Outlines some of the ways in which they have successfully met that challenge. (Editor/RK)

Points out that there is an enormous amount of material from the world of art that can help people see and, therefore, help them write. Notes the connections between writing and visual art as expressed in the work of many writers, including the author. Offers suggestions on how to explore the connections between writing and art. (SR)

Compares writing products of 60 third-grade students who drew before writing a story to writing products of 59 students who wrote without drawing. Finds that students who drew produced more words and overall wrote better than nondrawers. Notes that results were consistent for boys and girls regardless of group membership. (PA)

Presents a theoretical model of partial occlusion drawing, along with three experiments. Experiment one studied whether planning or scanning is involved in partial occlusion drawing, and the second explored whether group-encoding of similar objects creates a drawing problem. Experiment three tested predictions derived on the conjoint effects of…

This retrospective study examined play memories from childhood to adulthood of 478 university students between ages 20 and 62 as exhibited in drawings of play memories and questionnaire responses. The study focused on the role of the physical environment and place identity in play memories and individual identity development. Findings showed that…

This study examined whether 4- to 8-year-olds considered knowledge prerequisites for pretending and drawing. Children were asked if an artist (actor) who did not know what something was, yet whose drawing (behavior) resembled it, was actually drawing it (pretending to be it). Children performed similarly on pretending and drawing questions.…

Artistic giftedness in 217 4-, 6-, 8-, and 10-year olds was investigated from a neo-Piagetian perspective, which articulates the increasingly complex structures for representing spatial relations in drawing during middle childhood. Gifted children structured spatial relations, composed their drawings, and used color similarly to average children,…

College teachers often believe students have progressed beyond the need for illustrations. Formal higher education stresses abstract linguistic and logico-mathematical intelligences and neglects others, such as spatial intelligence. Engaging as many learning styles as possible helps students learn through all their capabilities. Drawing for…

Reports two experiments in which plain blocks of various sizes were presented in various spatial orientations to children three-eight years old in an attempt to establish how they represent three-dimensional spatial relations pictorially. Results showed that young children represented depth in the array vertically in the picture plane. (RH)

Explores the development of drawing abilities in 185 children of 5-10 years and 27 adults. Even the youngest children were able to judge the correct age sequence of drawings at above chance levels. However, their rankings were more erroneous than those of older children and of adults. (RJC)

Notes widespread use of human figure drawings to describe and predict psychological functioning. Reviews data-based studies on figure drawings and concludes that there is little support for their validity or for their use as devices to assess personality, behavior, emotion, or intellectual functioning. Presents ease of administration and anecdotal…