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What Works Clearinghouse Rating
DeLoughry, Thomas J. – Chronicle of Higher Education, 1987
Computers and synthesizers are being used to create new sounds that cannot be played on traditional instruments. Computers and instructional software are also helping to teach students to compose music, to analyze scores, to read music, and to do ear training drills. (MLW)
Descriptors: College Instruction, Computer Software, Computers, Higher Education
Peer reviewedSchulte, Leo – Unterrichtspraxis, 1985
Discusses how music can be intergrated with regular lesson plans to teach German vocabulary, grammar, and history and to give insights into German culture. Also included are sources for basic background information, a list of recordings of the German music, and notes on selecting and presenting it in the language class. (SED)
Descriptors: Class Activities, Classroom Techniques, Cultural Activities, German
Peer reviewedHutchins, Carleen M.; Bram, Marjorie – Music Educators Journal, 1973
Discussed the creation of a new family of violins, constructed on the basis of mathematical design, that cover the range between the low tones of a seven-foot contrabass violin and the high tones of a tiny treble violin. Some music history is also considered. (Author/RK)
Descriptors: Acoustics, Creative Art, Environmental Influences, Illustrations
Etkin, Ruth – Instructor, 1974
Teacher utilized a musical instrument to help children learn about music and to appreciate the art of composing music. (RK)
Descriptors: Academic Achievement, Diagrams, Educational Experiments, Elementary School Students
Peer reviewedZimmerman, George H. – Music Educators Journal, 1973
Considers the educational environment necessary for stimulating creative expression in students and the attitudes that will allow such expression. (RK)
Descriptors: Classroom Communication, Creative Expression, Creativity, Music Education
Peer reviewedYamaguchi, Osamu – Music Educators Journal, 1972
Article discusses the music of the Orient and an insight on the development of musical instruments and the theory of music. As well, it notes the influence the music of the Orient has had on the rest of the world. (RK)
Descriptors: Cultural Influences, Cultural Interrelationships, Cultural Pluralism, Music Techniques
Peer reviewedTrimillos, Ricardo D. – Music Educators Journal, 1972
Discusses the conceptual approach to ethnic music, the best manner of using it, and the development of students' cultural awareness. (RK)
Descriptors: Aesthetic Education, Concept Formation, Cultural Influences, Ethnic Groups
Peer reviewedMalm, William P. – Music Educators Journal, 1972
Article explores the development of rhythm and nonmeter, of Western and non-Western musical structure, and teaching approaches. (RK)
Descriptors: Concept Formation, Ethnic Studies, Music Education, Music Reading
Peer reviewedRothrock, Carson – English Journal, 1972
Descriptors: Dance, Drama, English, Intermediate Grades
Peer reviewedLaRue, Jan – Music Educators Journal, 1973
Style analysis is suggested as a method for enriching listening experience and as a course for secondary school students. (RK)
Descriptors: Concept Formation, Curriculum Development, Listening Comprehension, Music Education
Schwadron, Abraham A. – J Aesthetic Educ, 1969
Structural approaches to musical meaning are discussed, and the educator's responsibilities in helping students develop aethetic sensitivity are described. (DB)
Descriptors: Art Expression, Auditory Stimuli, Cognitive Processes, Emotional Experience
Peer reviewedBauman, Jon – Music Educators Journal, 1972
Description of a composition performance project for general music classes in which a class was divided into small groups, each of which composed and performed its own music. (JB)
Descriptors: Applied Music, Bands (Music), Music Education, Musical Composition
Whiting, Monroe H. – Elementary English, 1972
Author describes teaching unit of Rod McKuen poems for sixth grade class study. (RY)
Descriptors: Audiodisc Recordings, Creative Writing, Grade 6, Literature Appreciation
Lynes, Russell – Saturday Rev, 1970
The majority of artists cannot support themselves on their earnings from their creations. Most resort to other types of employment, which range from teaching to truck driving, to meet their financial needs. (CK)
Descriptors: Artists, Authors, Financial Needs, Multiple Employment
Peer reviewedPoague, Leland A. – Journal of Aesthetic Education, 1979
Using Bob Dylan's three somewhat different versions of "It Ain't Me, Babe," the author investigates the variables of Dylan's performances and how they alter the meanings of his songs, and suggests that the more we know about popular song the more we will understand the songs we subsequently encounter. (KC)
Descriptors: Aesthetic Education, Language Patterns, Literary Criticism, Literary Perspective


