Discusses how to implement student self-assessment and large-group assessment in the high school instrumental music classroom. Reports on the students' thoughts about these assessment types. Includes various forms to assist in assessment. (CMK)

Provides brief information on the inclusion of students within U.S. public schools. Offers an introduction to the articles included in this issue of "Music Educators Journal" that focus on inclusion within the music education classroom. (CMK)

Discusses how music teachers can include students with disabilities in their instrumental music classes. Explains how the teachers can adapt the musical instruments, the social environment, the music, teaching and evaluation techniques, and promote parental involvement. Includes a bibliography of resources for accommodating students with…

Contends that many violin and viola students develop preferences based on fear of using more difficult fingering techniques. Recommends that students be exposed to advanced techniques earlier in a matter-of-fact approach. Includes a list of four books recommended for further reading. (CFR)

Reports on a study of verbal behaviors of 25 piano teachers in private lessons. Finds significant differences resulting from student age in presentation of musical information, teacher talk, teacher coaching, and student participation. Also finds that student perceived as "average" received significantly more directive comments. (CFR)

Discusses the characteristics of a good vibrato in musical performance. Reviews four types of vibrato used by woodwind performers: (1) diaphragmatic/abdominal vibrato; (2) jaw vibrato; (3) throat vibrato; and (4) lip vibrato. Includes two charts with suggestions for teaching diaphragmatic vibrato and jaw vibrato. (CFR)

Gives five examples from music teachers about how they use different types of technology, in particular the electronic keyboard, in their classrooms. Demonstrates the contrasting methods of each of these teachers, but illustrates, at the same time, how they all have met the same ends: to enhance music education through technology. (CMK)

Urges music educators to use activity-based instruction as opposed to more traditional methods. Provides two lesson plans for middle school students where they learn about musical instruments in an integrated science and music environment that promotes concept formation and the exploration of the role of culture in music-making. (CMK)

Frank Leto, a professional musician and a Montessori teacher, discusses his professional music career, family, the arts in Montessori education, the lifestyle of a professional musician, writing children's songs, and percussion instruments. Provides advice for teachers of music. (SD)

Frank Callaway, the fourth Honorary President of ISME, was a New Zealander who contributed greatly to raising the profile of music education in both that country and Australia. His essentially democratic view of music education was moulded by his teaching experience at King Edward Technical College in Dunedin. At the University of Western…

This investigation is an examination of musical practices, musical preparation of teachers, and music education needs as reported by early childhood professionals in the United States. Quantitative and qualitative data were gathered via a survey mailed to a random sample drawn from the database of preschool centers accredited by the National…

The primary purpose of this study was to examine composition practices in public schools across the state of Indiana, to investigate who incorporates composition and why they chose to use or not use composing tasks. A second purpose was to learn if teachers had an operational definition for composition. Three hundred thirty-nine teachers…

This minicourse was prepared for use with secondary physics students in the Dallas Independent School District and is one option in a physics program which provides for the selection of topics on the basis of student career needs and interests. This minicourse was aimed at providing students with a knowledge of the technical descriptions of music,…

To develop an understanding of major 20th century musical styles and compositional techniques in junior high school general music classes, and to utilize rather than ignore student interest in current music, a sequence for units-of-study was developed and tested over a 2-year period in urban junior high schools. The initial units dealt with what…

The three approaches of Carl Orff, Zoltan Kodaly, and Shinichi Suzuki to early childhood education can be successfully fused to provide a foundation for a total music curriculum from the nursery to secondary school. Basically, Orff suggests that rhythmic patterns should be experienced in children's natural language as they improvise melodies and…