The teaching of creative thinking to gifted students requires: (1) raising creativity consciousness and teaching creative attitudes; (2) improving students' metacognitive understanding of creativity; (3) strengthening creative abilities through exercise; (4) teaching creative thinking techniques; and (5) involving students in creative activities.…

Looks at the relationship between error and creativity in the writing of ESL students. Shows how syntactic and lexical constraints combined with students' cultural and aesthetic preferences to produce remarkable poetic effects in their writing. (SR)

Administration of the Test of Interpersonal Problem Solving to 46 boys (grades 3-4) with learning disabilities (LD) and 46 boys without LD found that LD students had lower scores on Problem Formulation, Consequential Thinking, and Total Problem Solving Ability. No group differences were noted on two measures of creativity. (Author/JDD)

Connections between gifted intellect and creativity and Klaus Riegel's Dialectical Psychology are discussed. Dialectical Psychology is explained in terms of the set-theoretic operation of symmetric difference and the set-theoretic complement thereof. It is shown how this structure is involved in developmental psychology, memory, learning, gifted…

Four creativity measures and nine personality tests were administered to 218 Barbadian secondary students specializing in arts or sciences. No differences were apparent in creative performance, but arts-oriented students were more autonomous, feminine, and appreciative of change; science-oriented students were more dominant. (SK)

Responds to two arguments made by Walter Dick in the debate over instructional design and creativity: (1) "creativeness" should not dominate effectiveness and efficiency; and (2) systematic instructional design methods do result in "creative instruction" when they are used appropriately. Also lists respondent's assumptions and claims. (JMV)

This study compared neurotic and depressive personality characteristics in autobiographies of creative achievers (n=30) versus eminent but noncreative achievers (n=18). California Q-Set ratings assessed the five personality factors of neuroticism, extroversion, openness to experience, agreeableness, and conscientiousness. Creative achievers were…

Interpersonal and cognitive skills, adaptability, and critical thinking can be developed through problem solving and cooperative learning in technology education. These skills have been identified as significant needs of the workplace as well as for functioning in society. (SK)

The article summarizes responses of 30 alumni directors to a survey concerning creative ways to recognize alumni and volunteers for outstanding service. Examples are given of specialized award categories, innovative award mementos, and special ceremonies. (DB)

This study examined leadership in 16 research and 16 nonresearch teams in various manufacturing, aerospace, and health services companies. It concluded that research team leaders need to be able to fulfill a public relations or boundary management role. Engineering research teams, however, showed leadership patterns suggesting different needs for…

Concepts from R. J. Sternberg's triangular theory of love are used to provide a framework for understanding creative achievement. The combination of intimacy, passion, and commitment is viewed as the major determinant of eminent achievement. Special attention is paid to Wallas's (1926) description of stages in the creative process, and educational…

Theorizes that dramatic play involves and can potentially develop the three conditions that promote and characterize creativity--interaction, transformation, and imagination. Notes that children involved in dramatic play are enhancing their creativity and potential for creative work. (TM)

Untutored dramatic play (free, undirected play) and tutored dramatic play (creative drama) involve interaction, symbolic transformation, and imagination as children enact roles in imaginary situations. Both types of play serve the child's artistic, emotional, and intellectual needs. They differ in the degree of spontaneity, consistency of play,…

The "English garden" is a metaphor used to express the historical-geographical-personal knowledge of a language that is approaching 1,550 years of age. This article argues for third-dimensional learning that involves the internal, mysterious, and imaginative part of human life. (two references) (LB)

Argues that literature classes will grow more interesting and more effective if educators coordinate two kinds of emphases: allowing for discovery and moving toward productivity. Offers four principles for developing assignments: respect the process; nourish the participants; aim for a variety of products; and reflect together on process,…