Previous research findings suggest that multiple factors contribute to writer's block and that blocking may occur at any part of the writing process. The aim of this study was to investigate different causes of blocking and discover the most effective solutions for writers. 146 writers completed an online, mixed-method survey about their…

Empirical research on composing processes is virtually absent in our field. What "do" contemporary writers actually do when they compose? I argue that we need a return to research on composing processes, as writers are every day weaving together the social and cognitive through writing. One writer's composing process think-aloud suggests…

The creative writing workshop, involving peer critique of manuscripts in progress, is deeply connected to many writerly habits of mind. As such, this article examines workshop as a signature pedagogy in creative writing. Through workshop, students develop awareness of their readers, understanding of how texts are created by readers and through…

"Process and Intention: A Bridge from Theory to Classroom" is rooted in a time when intuitive, experience-based awareness that we should "Teach Writing as a Process Not Product" (Murray 3) was bolstered by systematic research into the complexity of writing. Lots of years have passed since those days, so as a reminder, the author mentions five…

In this paper, the authors investigate the enduring power of voice as a concept in writing pedagogy. They argue that one can benefit from considering Elbow's assertion that both text and voice be considered as important aspects of written discourse. In particular, voice is a powerful metaphor for the material, social and historical nature of…

Most students avoid the reflective nature the writing process requires. Their resistance to meta-cognition, thinking about one's thinking, often means they are incapable of capitalizing on their strengths or improving upon their weaknesses. The author believes students who are familiar with writers' lives and habits will be that much more…

Gertrude Stein (1874-1946) is well known as an early twentieth century writer, but less well known is her involvement in automatic writing research. Critics of Stein's literary works suggest that her research had a significant influence on her poetry and fiction, though Stein denied any influence. A partial replication of Stein's 1896 study was…

Maja Wilson and Michael Niemczyk advocate turning away from mandated writing toward learning environments that honor the messy, inner life of the writer. They explain the importance of disorientation in that it unsettles but nurtures the emerging intention of student writers, and they stress the need to return our attention to the heart and center…

A scientist explains the processes he uses to draft and redraft articles for scientific journals. (RL)

To investigate the composing processes of professional expository writers, interviews were conducted of six subjects who regularly produced expository prose under the pressure of a weekly or monthly deadline. Subjects included Noel Perrin, essayist, book critic, and Dartmouth College professor; Tom Wicker, political columnist for "The New York…

Examines research work done on how writers think as they compose in nonacademic settings and relates their findings to reading instruction. (HOD)

Discusses professional writers' use of "metaphorical stories" to describe their composing processes. Maintains that fiction writers' ascription of independence to their characters has profound psychological implications. Cites metaphorical stories as an important means by which authors understand and communicate their composing…

Describes a case study of the composing strategies used by a professional writer, Donald Murray, concentrating on his planning and revision processes. (FL)

Six scientific essayists were interviewed to gain some understanding of their writing processes. The writers were Roger Sawin, who writes for "Horticulture"; Harold Morowitz who writes for "Hospital Practices,""Science 82" and "Science 83"; Stephen Jay Gould who writes for "Natural History"; Jeremy…

Argues that style and self are inextricably bound together in a writer's work, and the voice that they create emerges only after a certain level of writing development has been reached. This happens when the writer has been thoroughly immersed in a context and has had plentiful experience in a specific form of expression. (HOD)