This study explored graduate student self-determination as a writer, need for cognition, and sense of belonging as predictors of their confidence today in their program completion. The data set consisted of 2,390 graduate students at universities across the United States. The data analysis was conducted using hierarchical linear modeling (HLM),…

Empirical research on composing processes is virtually absent in our field. What "do" contemporary writers actually do when they compose? I argue that we need a return to research on composing processes, as writers are every day weaving together the social and cognitive through writing. One writer's composing process think-aloud suggests…

This research is an evaluation study using context, input, process, and product (CIPP) evaluation model to analyze whether the literacy developed in educational institution has met the acceptable literacy level used in the workplace. Two business E-mails about sales written by a professional writer and a student were analyzed to investigate the…

Proofreading one's own writing is difficult due to the overfamiliarity of one's writing, which has been claimed to conceal errors, even extraneous errors inserted by someone else (as in collaborative writing). In the present research, we examined whether increasing one's familiarity with text can indeed have a negative influence on error…

In this frankly utopian essay, Robert Yagelski's theme is the transformative power of writing as an act in and of itself. He makes us reevaluate our motivation and point for teaching writing in schools and asks us to consider an agenda that will quite frankly scare teachers as he explains why we need an ontology of writing. (Contains 6 notes.)

Maja Wilson and Michael Niemczyk advocate turning away from mandated writing toward learning environments that honor the messy, inner life of the writer. They explain the importance of disorientation in that it unsettles but nurtures the emerging intention of student writers, and they stress the need to return our attention to the heart and center…

When writers write, how do they decide to whom they are speaking? How does this decision affect writers' cognition about writing? Their motivation to write? In this article, I review literature on cognitive and social processes of writing, conceptualizations of audience, writing across distinct learning environments, and writers' motivations. I…

The reader-centered emphasis dominating the current literature reflects an assumption that what is learned from text, and how much is learned, is determined primarily by the reader. An alternative thesis, however, is that much of the responsibility for text comprehensibility may lie with the producer of the text. That is, the text needs to be…

Describes a case study of the composing strategies used by a professional writer, Donald Murray, concentrating on his planning and revision processes. (FL)

The diversity of students in today's classrooms has highlighted the need for teachers to recognize differences in the way students learn to write, as well as in the cultural and social experiences they bring to the learning situation. This article profiles three students and demonstrates how they constructed and revised their writing in different…

One theoretical approach to self-awareness is the study of introspective writing. Among the characteristics of intrapersonal communication that can be explored through memoirs and journals are selective memory and chronology revision. From the reflections of writers like Lillian Hellman, Dag Hammarskjold, and May Sarton comes confirmation that…

Explores the use of introspective writing by others as a means of understanding two characteristics of intrapersonal communication: the process of selective memory which defines and redefines personal history and the pattern of habitual thinking which confirms self-identity. Recommends the classroom use of memoirs and journals. (PD)

Although contemporary psychologists generally acknowledge the significance of affect in human experience, few have attempted to understand its role in cognitive processes. The same can be said of writing specialists. In fact, New Criticism, so long dominant in American literary thinking, still continues to influence the emotions writers disclose…

Suggests that the composing process is a kind of mental trip, a development of ideas not merely determined by one's limitations but conditioned, rather, by some ongoing circumstances not easily commandeered by the ego. (HOD)

Seven of the articles in this journal contain first-person descriptions of the procedures and methods used by outstanding American playwrights in creating their individual plays. The playwrights explain their own writing habits, working conditions, and revision processes in an effort to clarify the elements that contribute to the unusual…