The experiment reported in this article investigated the assumption that visual movement plays a role in musician-to-audience communication in marimba performance. Body movement is of particular relevance here as the expressive capabilities of the marimba are relatively restricted, and the movements required to play it are visible. Twenty-four…

Humans rely heavily on their sense of vision and look at images in response to their need for information. People learn from didactic images within environments; for this reason, in traditional educational environments, educators tend to care about visual representation. As today's technology brings images to wider audiences with more diverse…

One practical method which development film makers can adopt to increase comprehension of important scenes is to eliminate extraneous background information by putting it out of focus, or by shooting against plain backgrounds. (Author/STS)

This is the seventh in a series of technical research reports by Harvard Project Zero which study artistic creation and comprehension as a means toward better art education. This study summarizes the content and practical procedures of a series of lecture-performances in different arts performed before a target audience. The lecture-performance…

Examines how differences in the verbal and nonverbal behaviors available to persons influence their accuracy in detecting deceptive communication. (JMF)

Lines are elemental design devices that provide the primary structure for visual expressions in printed media. Gestalt principles of perception emphasize the role of the viewer, so the energy of the lines and the commercial viability of a particular design depend upon the designer's and photojournalist's understanding of both the viewer's…

Fourteen second and third grade children viewed "The Electric Company" television series pilot shows while color slides flashed on a nearby screen competed for their attention. The children's visual attention was monitored and recorded. Bits from the shows were then ranked according to percentage of attention they received, and the…

This book is an attempt to begin filling the need for an aesthetic for Readers Theatre by abstracting from such sources as the history of theatre practice, the history of literary structure, the psychology of visual perception, and the history of aesthetics, some principles of audience-text-performer relationships. The book is written primarily…