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Aldajah, Saud; Haik, Yousef; Moustafa, Kamal – European Journal of Educational Sciences, 2014
In order to enhance teaching quality and improve its effectiveness, attention must be paid to the compatibility of the instructors' teaching styles versus the students' learning styles, which play a vital role in how much knowledge the students can gain from the material presented in class. This paper presents the results of a study carried out on…
Descriptors: Teaching Styles, Cognitive Style, Engineering Education, College Students
Peer reviewedDavis, Philip J. – Educational Studies in Mathematics, 1993
Argues for a mathematics education that interprets the word "theorem" in a sense that is wide enough to include the visual aspects of mathematical intuition and reasoning. Defines the term "visual theorems" and illustrates the concept using the Marigold of Theodorus. (Author/MDH)
Descriptors: Intuition, Mathematics Education, Mathematics Instruction, Proof (Mathematics)
Hausler, Joel; Sanders, John W.; Young, Barbara – Online Submission, 2007
We examined the relationship between learning styles and student type. This research seeks to examine if online students exhibit different learning styles from onsite students; and, if so, what accommodations relating to learning style differences may be made for online students? Students (N = 80) were asked to complete an online survey in order…
Descriptors: Online Courses, Electronic Learning, Cognitive Style, Student Characteristics
Rieber, Lloyd P. – 1994
This paper presents a historical overview of visualization as a human problem-solving tool. Visualization strategies, such as mental imagery, pervade historical accounts of scientific discovery and invention. A selected number of historical examples are presented and discussed on a wide range of topics such as physics, aviation, and the science of…
Descriptors: Computer Oriented Programs, Creative Thinking, Critical Thinking, Decision Making
Peer reviewedYoungblood, Michael S. – Studies in Art Education, 1983
Popular beliefs and research on modes of thinking among artists and scientists promote the idea that artists are motivated primarily by emotion and intuition, while scientists are stimulated primarily by logic and reason. This dichotomy and its implications for art education are discussed and criticized. (Author/IS)
Descriptors: Art Education, Artists, Cerebral Dominance, Cognitive Development


