This article presents some of the findings from a mixed-methods case study that investigated collaborative learning for pairs of higher education students working in a music studio on a drum kit recording. A stratified purposive sampling technique was used and students were allocated a partner of similar ability; often referred to as a…

The aims of this research were to identify the ways in which parents may most constructively support their children's musical development, and to ascertain whether styles of parent-teacher and parent-pupil interaction would influence the extent to which parents engage in different types of supportive behaviours. A model of parent involvement as…

The present study aimed to investigate the current music practices and teachers' needs for teaching music in public preschools of South Korea. The data were obtained from the public preschools in South Korea, where 66.7 percent (n = 606) of the total sample (N = 908) responded. The online survey consisted of 42 questions: Likert-type scales,…

The purpose of this study was to examine and describe the environmental factors that influence an undergraduate music education major's investment in instrumental techniques courses taught by a graduate teaching assistant. Each participant (three undergraduate music education majors and three teaching assistants) submitted to being interviewed…

Music learning and music performance involve all aspects of the individual: cognitive, emotional, social, and psychomotor. John Feierabend shows that music requires a special kind of intellectual process that is unique to the discipline. Brain density reaches its peak in a child's first few years of life; hence, as with language, music learning…

Prior research has revealed that non-music specialist trainee primary school teachers lack confidence in teaching music in spite of changes to teacher training and the introduction of music in the National Curriculum in England. The current study investigated the effects on non-music specialist trainee primary teachers' confidence to teach music…

Certain aspects of European art music occupy a middle ground between the two cultures described by C. P. Snow almost fifty years ago. Analogies exist not only between mathematics and the ratios underlying musical notation and intervals (i.e., the distance between pitches) but also between computer science and counterpoint (simultaneous melodies):…

A thorny problem faced by many middle school band directors is teaching a large ensemble of students who have a wide range of rhythm-reading abilities and who have studied music using a variety of rhythm-reading methods. Since school schedules usually allow very little time for working with students in small groups, the director must try to bring…

This article discusses a number of techniques that can help teachers attract and keep general music students in their music program. These include: (1) a piano lab; (2) a chime group; and (3) intensive contact with the community.

Most music educators are unaware that one of the earliest known electronic music keyboards for children dates back to 1952. It was unsophisticated in appearance, but much like the inventions of today, the mid-century electronic musical toy piqued the interest of children, and they begged their parents to buy it for them. The invention was named…

Background: Educational guidelines and reforms focused on literacy, including No Child Left Behind (NCLB) and National Assessment of Educational Progress (NAEP), have contributed to a music education culture and climate focused on language literacy rather than on the core content literacies inherent in music itself. Purpose: The purpose of this…

This study explores the utility of movement analysis technology as a means of contributing to a performance pedagogy informed in part by science. Two research questions were investigated: Can biomechanical skills needed for performance on the violin be accurately and objectively characterized and generalized? Can these data be used to inform…

Creative teaching should be used to motivate small children to appreciate and understand the beauty of music. (CK)

Of all the factors used to assess trumpet players, the one that distinguishes the established professional from the student is sound quality. While a good sound may be called "full," "rich," or "dark," poor sound is often described as "constricted," "tight," "thin," or "fuzzy." Although students' concept of good sound is important, many times…