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Darling, Cynthia – Teaching Music, 2007
Practical dexterity exercises are essential for the student violinist. Dimitri Hadjipetkov, the tricampus strings director at the Montclair Kimberley Academy in Montclair, New Jersey, identifies three main benefits resulting from dexterity drills and exercises: (1) strengthening the third and fourth finger in first position; (2) improving…
Descriptors: Drills (Practice), Music Education, Musical Instruments, Teaching Methods
Dust, Thomas – Teaching Music, 2007
If trumpet players are having difficulty playing in tune, the problem may be related to tone. A properly resonant tone is important for developing the concept of intonation--in-tune playing--and for the student's aesthetic satisfaction. A poor tone must be remedied so that students can play in tune and progress satisfactorily with all aspects of…
Descriptors: Music Education, Musical Instruments, Music Techniques, Teaching Methods
Cherry, Amy K. – ProQuest LLC, 2009
The impetus for this study was the question of whether extended techniques are actually being taught in college trumpet studio settings as standard skills necessary on the instrument. The specific purposes of this document included: (1) catalogue the extended techniques available to today's trumpet performer, (2) reflect on their current use and…
Descriptors: Program Effectiveness, Foreign Countries, Higher Education, Music Education
Dontsa, Luvuyo – International Journal of Music Education, 2008
While there is a keen interest in indigenous African instrumental music among South African university music students, indigenous music instruments such as the "umrhubhe" (musical bow without a calabash resonator) have not found their way into the classroom. Most music departments focus on the teaching and learning of western instruments…
Descriptors: Music Education, Music, Museums, Indigenous Populations
Weidknecht, Marguerite K. – Online Submission, 2010
Globalization and increased diversity within student populations generate a growing impetus toward a multicultural approach to music education. Additionally, the National Standards in Music Education require that students experience the music of other cultures. However, not all multicultural music programs are equivalent in content, depth of…
Descriptors: Rural Schools, Music Education, Elementary Schools, National Standards
Webb, Michael – Music Education Research, 2008
In western musical contexts at global and local levels, musicians are becoming increasingly involved in what might be termed multicode music making and are expanding their musical competences. In this article I consider the practical and cognitive implications of such an expanding of competences for music education at various levels. Combining…
Descriptors: Music Education, Musicians, Music Teachers, Cultural Pluralism
Harte, Helene Arbouet – ProQuest LLC, 2010
This qualitative study examines perspectives of parents of children with autism related to engagement in the home environment. Increased engagement decreases the likelihood of less productive behaviors. Investigation of engagement in the home setting may provide insights into the development of interventions. Collaboration between parents and…
Descriptors: Autism, Musical Instruments, Family Environment, Teaching Methods
Zhukov, Katie – Australian Journal of Music Education, 2009
This paper reviews latest research findings on practising in an attempt to encourage studio music teachers to trial new approaches. Literature shows that expert performers begin learning an instrument at an early age, and sustain and increase their deliberate practice over at least 10 years. A certain amount of practice hours is needed to achieve…
Descriptors: Motivation, Music Teachers, Teaching Methods, Music Education
Onyeji, Christian – International Journal of Music Education, 2008
The search for Nigerian-based content and methodology for music education has been one of the primary concerns of music educators in contemporary Nigeria. Debates and criticisms surrounding the existing curriculum are ongoing. A natural response to these criticisms is the suggestion of alternative solutions that aim to develop a Nigerian-based…
Descriptors: Music Education, Music, Foreign Countries, Music Teachers
Parkes, Kelly A. – International Journal of Teaching and Learning in Higher Education, 2010
The performing arts studio is a highly complex learning setting, and assessing student outcomes relative to reliable and valid standards has presented challenges to this teaching and learning method. Building from the general international higher education literature, this article illustrates details, processes, and solutions, drawing on…
Descriptors: Performance Based Assessment, Performance Tests, Literature, Musical Instruments
McCord, Kimberly – Australian Journal of Music Education, 2009
Students with communication disabilities present challenges to general music teachers with inclusive music classrooms. Typically, students perform, compose and improvise with others in the class, but students with physical disabilities that include communication difficulties or students with autism are left out or at best marginally participate.…
Descriptors: Music Education, Communication Strategies, Creative Activities, Autism
Reynolds, Geoffrey A.; Gottschalk, Thomas – General Music Today, 2009
This article provides general music teachers with resources they can use in their class to: (1) introduce the instrument to their students; (2) energize and reshape their students' attitudes toward the instrument; (3) show older students who are very musical recorder and low flute players who share their love of the instruments through podcasts…
Descriptors: Music Education, Student Attitudes, Musicians, Music Teachers
Dib, Nancy Ellen; Sturmey, Peter – Behavior Modification, 2007
A behavioral skills training package, including verbal instruction, modeling, rehearsal, and feedback, was used to teach children correct posture, defined as keeping feet on the floor, legs parallel to each other, and the back and neck perpendicular to the floor, during flute lessons. Three typically developing girls aged 8 to 9 years…
Descriptors: Musical Instruments, Music, Teaching Methods, Feedback
Dammers, Richard J. – Update: Applications of Research in Music Education, 2009
This exploration of online applied music lessons focused on nine trumpet lessons between Jeremy, a college trumpet professor on the East Coast, and Kate, an eighth-grade trumpet player in the Midwest. These lessons followed an entry-level videoconferencing approach using personal computers, Web cams, and Skype videoconferencing software. These…
Descriptors: Music Education, Musical Instruments, Grade 8, College Faculty
Koutsoupidou, Theano; Hargreaves, David J. – Psychology of Music, 2009
This article reports a quasi-experimental study of the effects of improvisation on the development of children's creative thinking in music. The study was conducted in a primary school classroom with two matched groups of 6-year-old children over a period of six months. The music lessons for the experimental group were enriched with a variety of…
Descriptors: Experimental Groups, Control Groups, Creativity, Music

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