Highlighting the application of ethnomusicology beyond the traditional boundaries of the academy, this article investigates the use of music in adult literacy education. In 2005, as part of the Literacy and Equality in Irish Society (LEIS) project, adult literacy tutors working in Northern Ireland, United Kingdom (UK), were invited to enrol in…

This study explores the potential for the band rehearsal setting to be a reflectively collaborative space. School bands are traditionally large, performance-centered ensembles where discussions between director and student are limited by time and the size of the group. Recognizing the need to base rehearsals less on the conductor's…

Each day, dozens of new pieces of technology are released to gadget-hungry consumers. While many of these devices are geared toward the general public, a number of them are finding their way into the music classroom. Certain new products, such as the Apple iPad and iPod, have caused a major stir among music teachers of all grade levels and content…

In this thematic case study in a rural primary school, young children of diverse socio-cultural origins use transformative and transmodal redesign in music as they explore new conceptual meanings through self-reflexive interaction in classroom music events. A focus on music dialogue created by interaction between modes is seen to promote…

Playing Orff instruments provides students with a wide variety of opportunities to explore creative musicianship. This article examines the benefits of classroom instrument study, common challenges encountered, and viable teaching strategies to promote student success. The ability to remove notes from barred instruments makes note accuracy more…

In a recent article, "Sttepping in the right direction? Western classical music in an orchestral programme for disadvantaged African youth," "sttepping" was noted as no spelling error. The same applies here; reference is to STTEP Music School, an outreach project at the University of Pretoria. STTEP teaches the playing of…

In an exploratory study lasting more than 16 weeks, 15 undergraduate and graduate piano students prepared a short piece by the Brazilian composer Guarnieri, "Ponteio" no. 22, without guidance from their piano teachers. The data that were collected included their performances, interviews pertaining to their practice and stimulated recall…

Although the use of extended piano techniques were relatively uncommon in the common practice period (c.1600 - 1900), the use of extended skills became more common in modern classical music since 1900. Composers in modern Turkey also use these techniques in their works. This study analyzed the role of extended-technique piano repertoire in the…

In the first part of this two-part article, the author described Dr. Patricia Shehan Campbell's (2004) exciting ideas for fully engaging students during listening lessons. He chose Everything But the Girl's song "Lullaby Of Clubland the Jay "Sinister" Sealee Remix" to model Dr. Campbell's pedagogical sequence. He also described the three-stage…

Instrumental performance that approximates real-world models is one way in which a general music curriculum can encourage high levels of engagement and potential for lifelong musical activity. Although guitars, keyboards, and various folk instruments are useful for this purpose, orchestral instruments can also provide significant solo and ensemble…

In this article, the author describes how an experiment in a class she taught called Minority Musics of North America developed into a surprisingly successful and flexible teaching tool known as "Shaker Oats," created to encourage the concepts of ensemble and community. Most music educators in the United States today are familiar with…

First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period (after 1923),…

One computer, one class, and one educator can be an effective combination to engage students as a group in music composition, performance, and analysis. Having one desktop computer and a television monitor in the music classroom is not an uncommon or new scenario, especially in a time when many school budgets are being cut. This article…

This article focuses on selected outcomes of the European Association of Conservatoires (AEC) "Polifonia" Working Group for Instrumental and Vocal Teacher Training in Europe (2007-2010). The introduction provides the background to the project, explains the rationale and objectives, describes the research process and gives an overview of…

Learning to produce a good tone on the flute is easy for some people and incredibly difficult for others. Not every flute student will be successful, but the suggestions offered in this article may make the difference between a positive musical experience and one that turns the student off to playing an instrument forever. Claire-Anne Williams,…