Focusing on progressivism, the author attacks the way in which teaching media was seen as an opportunity for students to give vent to their own experiences. Calls for practical work which concentrates on cognitive rather than experiential development. (PD)

Considered is the importance of teaching creativity in the field of chemical engineering. Lists major concepts in teaching creativity. Suggests ways of bringing creativity into chemistry instruction. (MVL)

Maintains that encouraging the natural expression of creativity in young children is one of the most important tasks of music educators. Provides teaching suggestions and recommends instructional materials for helping young children develop creativity and improvisational techniques. (CFR)

Outlines a process-oriented approach to teaching movement and performance to young children. This approach applies a model, which stresses playing and problem solving and which focuses on the creative process rather than creation of a product, to the development of a method of teaching that encourages problem finding and problem solving. (MDM)

Describes the evolution and features of the instructional approach developed in Reggio Emilia, Italy preschools. Notes how the approach incorporates multiple intelligences, developmentally appropriate instruction, and an emergent curriculum; how children are encouraged to express their ideas in more than one medium or "language"; and how…

Uses personal narratives and a literature review to examine the status of creativity in Finland's schools. Describes the Finnish school system and how creativity is nurtured at various grade levels, and examines how teachers can arrange a creative learning environment. Maintains that teacher-education departments need students willing to use their…

Recounts experiences of Brigham Young University student teachers in Mexican schools. Explores reasons for lack of interest in facilitating creativity, despite a rich culture. Discusses four positive changes occurring in Mexican education: (1) students allowed to write about their own topics; (2) open-ended questions and informal debates; (3)…

Presents preliminary findings from a longitudinal study of French teaching and learning in two secondary schools in southern England. Focuses on a subgroup of teachers involved in the project, examining their classroom practices and beliefs about effective teaching (Author/VWL)

This article addresses the current knowledge base on the talent development process and suggests new direction for continued research and development. It presents current understandings about talent development both from a conceptual and operational vantage point. It also links the research bases of creativity and talent development. (Contains…

Describes an honors-level fine arts seminar that culminates in the creation of an 'unnamed' object. Stresses direct manipulation of materials leading to works free of conceptual pre-determination. Argues that naming follows creation; leaving a work unnamed allows artists to experience the dynamic of creation. (NB)

The author builds theoretically off an alternative conception of the virtual, through a series of steps. First, he explores four processes of engagement through which immersion happens (interest, involvement, imagination and interaction); these will prove especially important for understanding the educational potential of virtuality. Second, he…

This paper outlines research which examined the relationship between drama and writing, detailing the method of enquiry, theoretical foundations and emergent findings. The study sought to understand the nature of the support that drama offers children as writers and to identify features of writing which regularly surfaced in drama-related writing.…

In this article, the author states that gifted student population is itself diverse, with variability in intensity, maturity, risk-taking, creativity and degree of giftedness, among other traits. Appropriate services are equivalent to a life preserver; the opportunity to spend time with others who are sufficiently similar in ability, interests and…

Giving children the opportunity to be creative requires allowing children to find and solve problems and communicate ideas in novel and appropriate ways. This paper presents 12 basic principles for teachers to follow when presenting art activities with children. These principles include: the process of creating a picture or project is more…

This conference presentation begins with an outline of the assumptions involved in a theoretical model for the teaching of creatively gifted young children. The assumptions include: (1) creativity is continuous, not dichotomous; (2) creativity is a dynamic, interactive, and multidimensional process; (3) creativity may encompass intentionality but…