Classes of 9th-grade and 11th-grade students with deafness read contemporary poetry and created their own poems through writing, sign language, and mime. The poetry of the profoundly deaf students followed the syntax of sign language, while students with residual hearing focused on the elements of form, especially rhyming. (JDD)

Creative movement is an ideal vehicle for integrating curriculum, because the potential for human inspiration is limitless. When working in a creative-movement setting, students communicate thoughts, ideas, or feelings without fear of being judged incorrect or losing a competition. Yet, pantomime is just the beginning. The next step would be to…

This pamphlet provides suggestions for teachers for using creative dramatics in the classroom. The contents include: "Dr. Edwin Land Considers the Nature of Creativity"; "Six Basic Principles for Using Creative Dramatics with All Children," which discusses tuning in the senses, listening and recording, pantomime, rhythms and movement, presenting a…

The articles in this publication trace the historical development of the theatre workshop, explain the relationship between the workshop and experimental theatre, and analyze the ways in which current drama workshops teach and develop the dramatic skills of the participants. The topics discussed include the special skills, production-oriented, and…

Revised version of a speech delivered at the Spring 1972 Meeting of the Washington Association of Foreign Language Teachers. (DD)

This publication is part of a series of monographs on the art of teaching. Each volume, focusing on a specific discipline, explores theory in the context of teaching strategies connected to evaluation of both teachers' and students' learning. Three techniques are offered for using the series: dialogues (as self-evaluation and in study groups),…

Creative dramatics can be used to teach young children a variety of communication skills. Noisy stories help children to learn and make sounds and later can be used for dramatization purposes. Narrative pantomimes can teach children word order, sensory awareness, and nonverbal communication. Phrases, pictures, and props help stimulate imagination,…

Pantomime can be used in language arts classes as a learning activity in which students observe and organize movements in a logical sequence, transforming abstract concepts into vivid images. This paper suggests three ways that teachers can use pantomime in the classroom: portraying character types, such as golfer, archer, or juggler; becoming…

Pantomime, the use of the body to communicate without words, is a natural activity for children, an ancient art which is enjoying new popularity. Presented are tips on teaching mime to children. (Author/KC)

Remedial readers may be given opportunities to be creative through three approaches: inventiveness games, branched fiction, and pantomime and creative dramatics. Inventiveness games can stimulate creative thinking and serve as a launching pad for creative writing activities. In branched fiction, the story works up to a cliffhanger situation and…

This book offers a perspective on creative drama, an art form akin to the spontaneous, imaginative painting produced by children, which frees the soul of the child to act naturally, give out unabashedly, and develop through such acting the realization of his own deep emotions. Critical of formal drama which can inhibit and deaden the free…

Creative dramatics can be used effectively by the elementary teacher to help motivate students to become involved in various language arts activities. Dramatic play, pantomime, story dramatization, imagination exercises, creative movement, improvisation, and other structured activities encourage students to relate new experiences to old. As they…

Based on the experiences of classroom teachers of theatre, the elective dramatics course described in this guide is designed to enhance ninth grade students' aesthetic awareness, social development, intellectual growth, and technical knowledge. Following a brief course description and overview, the guide presents complete instructions for seven…

As part of a continuing series, this book contains 27 conference papers, which reflect the theme of reading as a process of creating meaning for sensed stimuli. Titles, among others, cover the following topics: (1) writing and reading in a balanced curriculum; (2) the creation and discovery of meaning; (3) learning disabilities; (4) key words and…

Describes how one instructor incorporates daily poetry "breaks" in middle school. Explains that students begin by listening to Eve Merriam's "How to Eat a Poem," then imitate poems first in pantomime, then with sound and action. Notes that students later write and trade poems, and end the term with a poetry festival. (SG)